Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin's 'Pskovityanka (The Maid of Pskov): Entr'acte to Act III: Street Scene' came out on December 14, 2000. With Pskovityanka (The Maid of Pskov): Entr'acte to Act III: Street Scene being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Rimsky-Korsakov: Maid of Pskov (The) / Fairy Tale". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Pskovityanka (The Maid of Pskov): Entr'acte to Act III: Street Scene's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Pskovityanka (The Maid of Pskov): Entr'acte to Act III: Street Scene by Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): II. Romance (Allegro non troppo) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | B♭ Major | 1 | 6B | 97 BPM | ||
Elgar: Serenade for Strings, Op. 20: III. Allegretto | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | D Major | 0 | 10B | 124 BPM | ||
Hungarian Dance No.20 In E Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 1 | 9A | 76 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Khovanshchina: Golitsin's Exile | Modest Mussorgsky, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
Masques et bergamasques Suite, Op. 112: III. Gavotte: Allegro vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | D Minor | 1 | 7A | 101 BPM | ||
Tantseval'naya syuita (Dance Suite): Lezghinka | Aram Khachaturian, Moscow Symphony Orchestra, Dmitry Yablonsky | E Minor | 0 | 9A | 83 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: III. Allegro | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez | F♯ Minor | 1 | 11A | 80 BPM |
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