- BPM
- 124
- Key
- D Major
- Camelot
- 10B
Elgar: Serenade for Strings, Op. 20: III. Allegretto - Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult Information
- Acousticness
- 99%
- Danceability
- 41%
- Energy
- 3%
- Instrumentalness
- 75%
- Liveness
- 27%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 56%
- Popularity
- 0%
- Loudness
- -24.156 dB
Summary
Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult made "Elgar: Serenade for Strings, Op. 20: III. Allegretto" available on September 1, 1991. The duration of Elgar: Serenade for Strings, Op. 20: III. Allegretto is about 3 minutes long, at 3:08. Based on our data, "Elgar: Serenade for Strings, Op. 20: III. Allegretto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 9 in Elgar: Symphony No. 1 & Serenade for Strings by Edward Elgar, Sir Adrian Boult, London Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Elgar: Serenade for Strings, Op. 20: III. Allegretto's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Elgar: Serenade for Strings, Op. 20: III. Allegretto BPM
The tempo marking of Elgar: Serenade for Strings, Op. 20: III. Allegretto by Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Elgar: Serenade for Strings, Op. 20: III. Allegretto Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | |
 | The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | |
 | Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | |
 | Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | |
 | Piano Concerto No.2 In F Minor, Op.21: 3. Allegro vivace | Frédéric Chopin, Krystian Zimerman, Polish Festival Orchestra | B♭ Minor | 2 | 3A | 107 BPM | |
 | Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | |
 | Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | |
 | Andante festivo, JS 34b (Version for String Orchestra & Timpani) | Jean Sibelius, Sinfonia Lahti, Osmo Vänskä | G Major | 2 | 9B | 57 BPM | |
 | Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | |
 | Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM |
- ISRC
- GBAYD9100386
- Label
- L-M Records/RCA Records
Section: 1.0574135780334473
End: 1.0620901584625244