"Symphony No. 9 In D Minor, Op. 125, "Choral": IV. An Die Freude (Ode To Joy) (Excerpt)" by Hasmik Papian, Nicolaus Esterhazy Chorus, Manfred Fink, Claudio Otelli, Nicolaus Esterhazy Sinfonia, Ruxandra Donose, Friedrich Schiller, Ludwig van Beethoven was released on June 10, 1998. Symphony No. 9 In D Minor, Op. 125, "Choral": IV. An Die Freude (Ode To Joy) (Excerpt) appears to be safe for all ages as it is not explicit. The song is number 4 out of 45 in Football Classics - Classical Music That Celebrates The Great Game (1998 Edition) by Giuseppe Verdi. In terms of popularity, Symphony No. 9 In D Minor, Op. 125, "Choral": IV. An Die Freude (Ode To Joy) (Excerpt) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 9 In D Minor, Op. 125, "Choral": IV. An Die Freude (Ode To Joy) (Excerpt) by Hasmik Papian, Nicolaus Esterhazy Chorus, Manfred Fink, Claudio Otelli, Nicolaus Esterhazy Sinfonia, Ruxandra Donose, Friedrich Schiller, Ludwig van Beethoven is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Allegro | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Ludwig van Beethoven, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | D Major | 1 | 10B | 81 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17a, Polovtsian Dance. Introduzione. Andantino | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 78 BPM | ||
The Four Seasons - Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. Danza pastorale. Allegro | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | E Major | 1 | 12B | 78 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, London Philharmonic Orchestra, Sir Georg Solti | C Minor | 3 | 5A | 68 BPM | ||
Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro | Johann Sebastian Bach, Walter Schneiderhan, Nikolaus Harnoncourt, Jascha Horenstein | G Major | 3 | 9B | 87 BPM | ||
Romantic Pieces, Op.75, for Violin and Piano - Allegro maestoso (Dvorák) | James Ehnes | D Minor | 1 | 7A | 101 BPM |
Section: 0.6644389629364014
End: 0.6672863960266113