Gustav Holst, London Philharmonic Orchestra, Sir Georg Solti's 'The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity' came out on January 1, 1979. Since The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Holst, London Philharmonic Choir, London Philharmonic Orchestra, Sir Georg Solti's "Holst: The Planets" album is number 4 out of 7. The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity by Gustav Holst, London Philharmonic Orchestra, Sir Georg Solti to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | D Major | 1 | 10B | 65 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Khachaturian : Spartacus, Suite No. 2: I. Adagio of Spartacus & Phrygia | Aram Khachaturian, Alexander Lazarev, Bolshoi Symphony Orchestra | D♭ Major | 1 | 3B | 175 BPM | ||
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 3, Carol. Andante semplice | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | B♭ Major | 0 | 6B | 78 BPM | ||
Fantasia On A Theme By Thomas Tallis | Ralph Vaughan Williams, London Philharmonic Orchestra, Sir Roger Norrington | G Major | 1 | 9B | 89 BPM | ||
Elgar: The Music Makers (Ode by Arthur O'Shaughnessy), Op. 69: I. Moderato e nobilmente espressivo (Orchestral Introduction) | Edward Elgar, Dame Janet Baker, Frederic Jackson, Sir Adrian Boult, London Philharmonic Orchestra | C Minor | 1 | 5A | 88 BPM | ||
Canon | Johann Pachelbel, David Parry, London Philharmonic Orchestra | D Major | 3 | 10B | 137 BPM | ||
The Planets, Op. 32: I. Mars, The Bringer Of War | Gustav Holst, Philharmonia Orchestra, John Eliot Gardiner | C Major | 4 | 8B | 137 BPM |
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