"St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto" by Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood was released on June 2, 2022. With St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 29 in British Classical Jubilee by Gustav Holst. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto by Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No.3 in G, K.216: 2. Adagio | Wolfgang Amadeus Mozart, Simon Standage, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 127 BPM | ||
Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 2 | 3B | 83 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 0 | 4B | 83 BPM | ||
Japanese Suite, Op. 33: VI. Finale: Dance of the Wolves | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 4 | 5A | 101 BPM | ||
Symphony in C, H.I No. 25: 1. Adagio | Joseph Haydn, Academy of Ancient Music, Christopher Hogwood | B♭ Major | 3 | 6B | 82 BPM | ||
Oboe Sonata in D Major, Op. 166: I. Andantino | Camille Saint-Saëns, Allan Vogel, Bryan Pezzone | D Minor | 2 | 7A | 66 BPM | ||
Clarinet Concerto in A Major, K. 622: 2. Adagio | Wolfgang Amadeus Mozart, Antony Pay, Academy of Ancient Music, Christopher Hogwood | D Major | 0 | 10B | 79 BPM | ||
Symphony in A, H.I No. 5: 2. Allegro | Joseph Haydn, Academy of Ancient Music, Christopher Hogwood | B♭ Major | 2 | 6B | 82 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM |
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