Leonard Bernstein, San Francisco Symphony, Michael Tilson Thomas made "Bernstein: West Side Story, Act 1: "Something's coming" (Tony)" available on June 10, 2014. The duration of Bernstein: West Side Story, Act 1: "Something's coming" (Tony) is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Bernstein: West Side Story, Act 1: "Something's coming" (Tony)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 31 in Bernstein: West Side Story by Leonard Bernstein, San Francisco Symphony, Michael Tilson Thomas. Bernstein: West Side Story, Act 1: "Something's coming" (Tony) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Bernstein: West Side Story, Act 1: "Something's coming" (Tony) by Leonard Bernstein, San Francisco Symphony, Michael Tilson Thomas is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Voices of Spring, Op. 410 | Johann Strauss II, Leonard Bernstein | B♭ Major | 2 | 6B | 110 BPM | ||
Bacchanale | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | D Minor | 2 | 7A | 145 BPM | ||
Symphony No. 5 in D Minor, Op. 107 "Reformation": IV. Andante con moto (Chorale "Ein feste Burg") - Live | Felix Mendelssohn, Israel Philharmonic Orchestra, Leonard Bernstein | D Major | 2 | 10B | 68 BPM | ||
Billy the Kid Suite: I. Introduction. The Open Prairie | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 58 BPM | ||
The Firebird Suite (1919 Version): Infernal Dance of King Kashchei - Remastered | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Minor | 5 | 9A | 83 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Peter and the Wolf, Op. 67: Andante molto | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 0 | 4B | 95 BPM |
Section: 0.9199724197387695
End: 0.9247403144836426