"Billy the Kid Suite: I. Introduction. The Open Prairie" by Aaron Copland, Leonard Bernstein, New York Philharmonic was released on 1960. The duration of Billy the Kid Suite: I. Introduction. The Open Prairie is about 3 minutes long, at 3:13. Based on our data, "Billy the Kid Suite: I. Introduction. The Open Prairie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 21 in Copland: Appalachian Spring, Rodeo, Billy the Kid & Fanfare for the Common Man by Aaron Copland, Leonard Bernstein. Billy the Kid Suite: I. Introduction. The Open Prairie is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Billy the Kid Suite: I. Introduction. The Open Prairie by Aaron Copland, Leonard Bernstein, New York Philharmonic is Lento (slowly), since this song has a tempo of 58 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matinées musicales, Op. 24: 2. Nocturne | Benjamin Britten, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 77 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Water Music Suite No. 1 (Excerpts): 7. Bourree | George Frideric Handel, New York Philharmonic, Pierre Boulez | C Major | 2 | 8B | 125 BPM | ||
Mother Goose: IV. Les entretiens de la belle et de la bête | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | C Major | 0 | 8B | 39 BPM | ||
Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace | Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 108 BPM | ||
Polovetsian Dances from Prince Igor: Allegro con spirito | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 5 | 11B | 90 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Symphony No. 1 in D Major "Titan": Ib. Immer sehr gemächlich | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 67 BPM | ||
4 Dance Episodes from Rodeo: I. Buckaroo Holiday | Aaron Copland, Leonard Bernstein, New York Philharmonic | F Major | 4 | 7B | 129 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animato | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 6 | 11B | 91 BPM |
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