Symphony No. 1 in D Major "Titan": Ib. Immer sehr gemächlich
Gustav Mahler, Leonard Bernstein, New York Philharmonic
Mahler: Symphony No. 1 in D Major "Titan" & Adagio from Symphony No. 10 in F-Sharp Minor
6:41 1967
BPM
67
Key
A Major
Camelot
11B

Embed

Share Link

Symphony No. 1 in D Major "Titan": Ib. Immer sehr gemächlich - Gustav Mahler, Leonard Bernstein, New York Philharmonic Information

Acousticness
90%
Danceability
11%
Energy
6%
Instrumentalness
70%
Liveness
18%
Loudness
62%
Speechiness
4%
Valence
11%
Popularity
Loudness
-22.977 dB

Summary

"Symphony No. 1 in D Major "Titan": Ib. Immer sehr gemächlich" by Gustav Mahler, Leonard Bernstein, New York Philharmonic was released on 1967. Since Symphony No. 1 in D Major "Titan": Ib. Immer sehr gemächlich is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Benjamin Britten, André Previn, London Symphony Orchestra, Jaco Pastorius, Herbie Hancock, Gustav Mahler, Leonard Bernstein's "Mahler: Symphony No. 1 in D Major "Titan" & Adagio from Symphony No. 10 in F-Sharp Minor" album is number 2 out of 22. Symphony No. 1 in D Major "Titan": Ib. Immer sehr gemächlich is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 1 in D Major "Titan": Ib. Immer sehr gemächlich BPM

We consider the tempo marking of Symphony No. 1 in D Major "Titan": Ib. Immer sehr gemächlich by Gustav Mahler, Leonard Bernstein, New York Philharmonic to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Symphony No. 1 in D Major "Titan": Ib. Immer sehr gemächlich Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Peer Gynt Suite No. 1, Op. 46: II. Åse's Death. Andante doloroso by Edvard Grieg, Leonard Bernstein, New York PhilharmonicPeer Gynt Suite No. 1, Op. 46: II. Åse's Death. Andante dolorosoEdvard Grieg, Leonard Bernstein, New York PhilharmonicG Major19B135 BPM
Pini di Roma, P. 141: I. I pini di Villa Borghese by Ottorino Respighi, New York Philharmonic, Giuseppe SinopoliPini di Roma, P. 141: I. I pini di Villa BorgheseOttorino Respighi, New York Philharmonic, Giuseppe SinopoliG Minor16A65 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinA♭ Major04B87 BPM
Mahler: Symphony No. 8, Mahler: Symphony No. 8, "Symphony of a Thousand": II. Finale Scene from Goethe's Faust, (l) "Alles Vergängliche" (Chorus Mysticus)Gustav Mahler, Elizabeth Connell/Edith Wiens/Dame Felicity Lott/Trudeliese Schmidt/Nadine Denize/Richard Versalle/Jorma Hynninen/Hans Sotin/London Philharmonic Choir/Tiffin School Boys' Choir/London Philharmonic Orchestra/Klaus Tennstedt, Klaus Tennstedt, London Philharmonic OrchestraE♭ Major25B71 BPM
Piano Concerto No. 1 in E-Flat Major, S. 124: IV. Allegro marziale animato by Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony OrchestraPiano Concerto No. 1 in E-Flat Major, S. 124: IV. Allegro marziale animatoFranz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony OrchestraA♭ Major24B80 BPM
Spanish Capriccio in A Major, Op. 34: II. Variazioni. Andante con moto by Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír VálekSpanish Capriccio in A Major, Op. 34: II. Variazioni. Andante con motoNikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír VálekE Minor19A76 BPM
Symphony No. 4 In D Minor, Op. 120: 3. Scherzo by Robert Schumann, Wiener Philharmoniker, Herbert von KarajanSymphony No. 4 In D Minor, Op. 120: 3. ScherzoRobert Schumann, Wiener Philharmoniker, Herbert von KarajanF♯ Major02B95 BPM
Le Carnaval des Animaux: Grand Fantaisie Zoologique: IX. Le Coucou au fond des bois by Camille Saint-Saëns, Leonard Bernstein, New York PhilharmonicLe Carnaval des Animaux: Grand Fantaisie Zoologique: IX. Le Coucou au fond des boisCamille Saint-Saëns, Leonard Bernstein, New York PhilharmonicE Major012B137 BPM
The Planets, Op. 32: III. Mercury, the Winged Messenger by Gustav Holst, Leonard Bernstein, New York PhilharmonicThe Planets, Op. 32: III. Mercury, the Winged MessengerGustav Holst, Leonard Bernstein, New York PhilharmonicA Major211B79 BPM
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) by Hector Berlioz, Hungarian National Philharmonic, Ádám FischerLa damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits)Hector Berlioz, Hungarian National Philharmonic, Ádám FischerD Major010B80 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6828985214233398

End: 0.6880912780761719