"Peer Gynt Suite No. 1, Op. 46: II. Åse's Death. Andante doloroso" by Edvard Grieg, Leonard Bernstein, New York Philharmonic was released on December 22, 2017. With this song being about 5 minutes long, at 4:54, "Peer Gynt Suite No. 1, Op. 46: II. Åse's Death. Andante doloroso" by Edvard Grieg, Leonard Bernstein, New York Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 19 in Bizet: Carmen Suites Nos. 1 & 2 - Grieg: Peer Gynt Suites Nos. 1 & 2 by Leonard Bernstein, New York Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Peer Gynt Suite No. 1, Op. 46: II. Åse's Death. Andante doloroso's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peer Gynt Suite No. 1, Op. 46: II. Åse's Death. Andante doloroso by Edvard Grieg, Leonard Bernstein, New York Philharmonic is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Pieces, Op. 51: 1. Fragilité | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 69 BPM | ||
6 Orchestral Songs, EG 177: No. 5, Last Spring | Edvard Grieg, Inger Dam-Jensen, Palle Knudsen, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 1 | 10B | 67 BPM | ||
Fancy Free: V. Competition Scene - Live | Leonard Bernstein, Ruth Mense, Dicky Tarrach, Thissy Thiers, Israel Philharmonic Orchestra | D Minor | 4 | 7A | 80 BPM | ||
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": II. Scherzo. Molto vivace - Presto | Ludwig van Beethoven, Zubin Mehta, New York Philharmonic | D Minor | 2 | 7A | 121 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Andantino, come prima - Meno mosso | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | C Major | 1 | 8B | 95 BPM | ||
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | ||
Debussy: Petite suite, CD 71, L. 65: II. Cortège (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | E Major | 1 | 12B | 90 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM |
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