Debussy: Petite suite, CD 71, L. 65: II. Cortège (Orch. Büsser)
Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard
Debussy: Petite suite, Danses pour harpe et orchestre & Épigraphes antiques
3:03 January 1, 1969
BPM
90
Key
E Major
Camelot
12B

Embed

Share Link

Debussy: Petite suite, CD 71, L. 65: II. Cortège (Orch. Büsser) - Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard Information

Acousticness
84%
Danceability
18%
Energy
10%
Instrumentalness
80%
Liveness
13%
Loudness
65%
Speechiness
3%
Valence
16%
Popularity
Loudness
-21.256 dB

Summary

"Debussy: Petite suite, CD 71, L. 65: II. Cortège (Orch. Büsser)" by Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard was released on January 1, 1969. The duration of Debussy: Petite suite, CD 71, L. 65: II. Cortège (Orch. Büsser) is about 3 minutes long, at 3:03. Based on our data, "Debussy: Petite suite, CD 71, L. 65: II. Cortège (Orch. Büsser)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 12 in Debussy: Petite suite, Danses pour harpe et orchestre & Épigraphes antiques by Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard. In terms of popularity, Debussy: Petite suite, CD 71, L. 65: II. Cortège (Orch. Büsser) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Debussy: Petite suite, CD 71, L. 65: II. Cortège (Orch. Büsser) BPM

The tempo marking of Debussy: Petite suite, CD 71, L. 65: II. Cortège (Orch. Büsser) by Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Debussy: Petite suite, CD 71, L. 65: II. Cortège (Orch. Büsser) Key

E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara) by Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony OrchestraViolin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara)Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony OrchestraD Major210B74 BPM
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 2 (Arr. E. Guiraud): V. La garde montanteGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezF Minor04A60 BPM
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento by Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoPiano Concerto No. 1 in C Minor, Op. 35: II. LentoDmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoC Major08B72 BPM
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace by Antonín Dvořák, London Symphony Orchestra, Sir Colin DavisSymphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivaceAntonín Dvořák, London Symphony Orchestra, Sir Colin DavisG Major19B130 BPM
Ancient Airs And Dances, Suite No.3, [P. 172]: 1. Italiana by Ottorino Respighi, Boston Symphony Orchestra, Seiji OzawaAncient Airs And Dances, Suite No.3, [P. 172]: 1. ItalianaOttorino Respighi, Boston Symphony Orchestra, Seiji OzawaB♭ Major16B96 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'AlcalaGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezF Minor04A60 BPM
3 Romanzen, Op. 94: Einfach, innig by Robert Schumann, Jozsef Kiss, Jenő Jandó3 Romanzen, Op. 94: Einfach, innigRobert Schumann, Jozsef Kiss, Jenő JandóA Major111B87 BPM
Dolly, Op. 56: 1. Berceuse by Gabriel Fauré, Katia Labèque, Marielle LabèqueDolly, Op. 56: 1. BerceuseGabriel Fauré, Katia Labèque, Marielle LabèqueE Major012B63 BPM
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua by Modest Mussorgsky, Wiener Philharmoniker, Gustavo DudamelPictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortuaModest Mussorgsky, Wiener Philharmoniker, Gustavo DudamelF♯ Major02B69 BPM
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia by Aram Khachaturian, London Symphony OrchestraKhachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and PhrygiaAram Khachaturian, London Symphony OrchestraA♭ Major14B88 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7380886077880859

End: 0.7424747943878174