"Piano Concerto No. 1 in C Minor, Op. 35: II. Lento" by Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko was released on January 13, 2017. Since Piano Concerto No. 1 in C Minor, Op. 35: II. Lento is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Shostakovich: Piano Concertos Nos. 1 & 2 and String Quartet No. 8". In this album, this song's track order is #2. Piano Concerto No. 1 in C Minor, Op. 35: II. Lento is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 1 in C Minor, Op. 35: II. Lento by Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: String Quartet No. 2 in A Major, Op. 68: I. Overture - Moderato con moto | Dmitri Shostakovich, Borodin Quartet | D Minor | 1 | 7A | 147 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
11 Bagatelles, Op. 119: No. 7 in C Major. Allegro ma non troppo | Ludwig van Beethoven, Steven Osborne | D Minor | 1 | 7A | 126 BPM | ||
Cello Sonata No. 1 in C Minor, Op. 32: II. Andante tranquillo sostenuto | Camille Saint-Saëns, Maria Kliegel, François-Joël Thiollier | A♭ Minor | 1 | 1A | 173 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
4 Pieces, Op. 51: 3. Poème ailé | Alexander Scriabin, Evgeny Kissin | B Major | 0 | 1B | 97 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Dance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E Minor | 3 | 9A | 82 BPM | ||
Humoresque No. 1 in D Minor, Op. 87 | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 94 BPM | ||
Papillons, Op. 2: XII. Finale | Robert Schumann, Boris Giltburg | D Major | 0 | 10B | 129 BPM |
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