Ludwig van Beethoven, Zubin Mehta, New York Philharmonic's 'Symphony No. 9 in D Minor, Op. 125 "Choral": II. Scherzo. Molto vivace - Presto' had a release date set for 1983. This song appears to be safe for all ages as it is not explicit. The song is number 2 out of 5 in Beethoven: Symphony No. 9 Op. 125 "Choral" & Choral Fantasy Conclusion - Sony Classical Masters by Ludwig van Beethoven, Zubin Mehta. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Symphony No. 9 in D Minor, Op. 125 "Choral": II. Scherzo. Molto vivace - Presto's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 9 in D Minor, Op. 125 "Choral": II. Scherzo. Molto vivace - Presto by Ludwig van Beethoven, Zubin Mehta, New York Philharmonic is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Caprices for Violin, Op. 1, MS. 25: No. 24 in A Minor | Niccolò Paganini, Salvatore Accardo | A Minor | 1 | 8A | 167 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Le barbier de Séville Largo al factotum - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | C Major | 4 | 8B | 77 BPM | ||
Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | ||
Symphony No. 5 In C Minor, Op. 67: I. Allegro Con Brio | Ludwig van Beethoven, Anton Nanut, Russian Symphony Orchestra Ljubljana | C Minor | 2 | 5A | 95 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Libor Pešek, Slovac Philharmony | F♯ Minor | 1 | 11A | 156 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": III. Molto vivace | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | E Minor | 3 | 9A | 78 BPM | ||
The Blue Danube Waltz, Op. 314 | Johann Strauss II, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 84 BPM | ||
Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM |