- BPM
- 141
- Key
- F♯ Major
- Camelot
- 2B
Confitebor tibi Domine: Confessio - Giovanni Battista Pergolesi, Ann Monoyios, Thomas Hengelbrock Information
- Acousticness
- 96%
- Danceability
- 24%
- Energy
- 6%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 61%
- Speechiness
- 5%
- Valence
- 8%
- Popularity
- 2%
- Loudness
- -23.674 dB
Summary
"Confitebor tibi Domine: Confessio" by Giovanni Battista Pergolesi, Ann Monoyios, Thomas Hengelbrock was released on August 16, 1996. With this song being about 5 minutes long, at 4:36, "Confitebor tibi Domine: Confessio" by Giovanni Battista Pergolesi, Ann Monoyios, Thomas Hengelbrock is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 19 out of 25 in Durante, Astorga, Pergolesi / Sacred Works by Thomas Hengelbrock. Based on our statistics, Confitebor tibi Domine: Confessio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Confitebor tibi Domine: Confessio BPM
The tempo marking of Confitebor tibi Domine: Confessio by Giovanni Battista Pergolesi, Ann Monoyios, Thomas Hengelbrock is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
Confitebor tibi Domine: Confessio Key
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: I. Sonata | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | C Minor | 0 | 5A | 148 BPM | |
 | Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 1 | 12A | 68 BPM | |
 | Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | |
 | Requiem No. 1 in C Minor: Introitus et Kyrie: Requiem aeternam | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 83 BPM | |
 | Stabat Mater, P. 77: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Collegium Vocale Gent, Sebastian Hennig, Concerto Vocale, René Jacobs | A♭ Major | 2 | 4B | 83 BPM | |
 | Dido and Aeneas, Z.626 / Act 3: "Thy Hand Belinda - When I Am Laid In Earth" | Henry Purcell, Catherine Bott, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | |
 | Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Joyce DiDonato, Maxim Emelyanychev, Il Pomo D'oro | B Major | 4 | 1B | 129 BPM | |
 | Der Freischütz, J. 277 / Act III: "Und ob die Wolke sie verhülle" | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | A♭ Major | 1 | 4B | 84 BPM | |
 | Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | |
 | Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.524533748626709
End: 0.53055739402771