Requiem No. 1 in C Minor: Introitus et Kyrie: Requiem aeternam
Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis
Cherubini: Requiem / Marche Funebre
7:14 August 24, 2000
BPM
83
Key
C Minor
Camelot
5A

Embed

Share Link

Requiem No. 1 in C Minor: Introitus et Kyrie: Requiem aeternam - Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis Information

Acousticness
99%
Danceability
8%
Energy
2%
Instrumentalness
90%
Liveness
10%
Loudness
48%
Speechiness
5%
Valence
3%
Popularity
Loudness
-31.261 dB

Summary

"Requiem No. 1 in C Minor: Introitus et Kyrie: Requiem aeternam" by Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis was released on August 24, 2000. Since Requiem No. 1 in C Minor: Introitus et Kyrie: Requiem aeternam is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 8 in Cherubini: Requiem / Marche Funebre by Luigi Cherubini. Requiem No. 1 in C Minor: Introitus et Kyrie: Requiem aeternam is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem No. 1 in C Minor: Introitus et Kyrie: Requiem aeternam BPM

The tempo marking of Requiem No. 1 in C Minor: Introitus et Kyrie: Requiem aeternam by Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Requiem No. 1 in C Minor: Introitus et Kyrie: Requiem aeternam Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Officium defunctorum: Parce mihi Domine: Parce mihi Domine by Cristobal de Morales, The Monteverdi Choir, John Eliot GardinerOfficium defunctorum: Parce mihi Domine: Parce mihi DomineCristobal de Morales, The Monteverdi Choir, John Eliot GardinerB♭ Major06B66 BPM
Messe en mi mineur: Messe en mi mineur: Benedictus. Moderato by Anton Bruckner, Collegium Vocale Gent, Ensemble Musique Oblique, Philippe Herreweghe, La Chapelle RoyaleMesse en mi mineur: Messe en mi mineur: Benedictus. ModeratoAnton Bruckner, Collegium Vocale Gent, Ensemble Musique Oblique, Philippe Herreweghe, La Chapelle RoyaleC Major08B59 BPM
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling by Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester BerlinStrauss, R: Vier letzte Lieder, TrV 196: I. FrühlingRichard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester BerlinA♭ Major24B83 BPM
Requiem in D Minor, K. 626: 5. Sanctus - Live by Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay JohannsenRequiem in D Minor, K. 626: 5. Sanctus - LiveWolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay JohannsenD Major410B90 BPM
Tallis: Spem in Alium - 4. Respice (Repeat) by The Tallis Scholars, Peter PhillipsTallis: Spem in Alium - 4. Respice (Repeat)The Tallis Scholars, Peter PhillipsD Major310B89 BPM
Chamber Sonata No. 4 in G Minor: I. Grave by Élisabeth Jacquet de La Guerre, Musica FioritaChamber Sonata No. 4 in G Minor: I. GraveÉlisabeth Jacquet de La Guerre, Musica FioritaD♭ Minor212A84 BPM
Gloria: Laudamus te by Antonio Vivaldi, Lucy Ballard, Katherine Fuge, English Baroque Soloists, John Eliot GardinerGloria: Laudamus teAntonio Vivaldi, Lucy Ballard, Katherine Fuge, English Baroque Soloists, John Eliot GardinerF♯ Major12B123 BPM
Requiem, Op. 9 (1961 version): Sanctus by Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel PiquemalRequiem, Op. 9 (1961 version): SanctusMaurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel PiquemalG Minor16A136 BPM
Armide: Overture by Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan BrownArmide: OvertureJean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan BrownB♭ Major16B70 BPM
Mass in B Minor, BWV 232: Agnus Dei (Alto) by Johann Sebastian Bach, Meg Bragle, English Baroque Soloists, John Eliot GardinerMass in B Minor, BWV 232: Agnus Dei (Alto)Johann Sebastian Bach, Meg Bragle, English Baroque Soloists, John Eliot GardinerE♭ Major15B126 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.0149497985839844

End: 1.0189192295074463