Richard Strauss, James Kreger, Roger Benedict, Djong Victorin Yu, Philharmonia Orchestra made "Don Quixote, Op. 35: Variation IX. Schnell und stürmisch - Der Kampf gegen die vermeintlichen" available on September 15, 2000. With Don Quixote, Op. 35: Variation IX. Schnell und stürmisch - Der Kampf gegen die vermeintlichen being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Strauss: Also Sprach Zarathustra, Op. 30, Don Quixote, Op. 35". In this album, this song's track order is #23. Don Quixote, Op. 35: Variation IX. Schnell und stürmisch - Der Kampf gegen die vermeintlichen is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Don Quixote, Op. 35: Variation IX. Schnell und stürmisch - Der Kampf gegen die vermeintlichen by Richard Strauss, James Kreger, Roger Benedict, Djong Victorin Yu, Philharmonia Orchestra having a BPM of 41 with a half-time of 20 BPM and a double-time of 82 BPM, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces for Piano Quartet, TrV 169: No. 2. Liebesliedchen | Richard Strauss, Amelia Piano Trio, Max Mandel | D Minor | 1 | 7A | 144 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Elektra: Xxi. Ich glaube ich war schön | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Gunnar Lundberg, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
Symphonie Fantastique, Op.14, H 48: 5b. Songe d'une nuit du Sabbat - Dies irae | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 1 | 6A | 63 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": II. Elegy: Molto adagio (In Memoriam William Morris) | Gustav Holst, Ulster Orchestra, Joann Falletta | G Major | 1 | 9B | 133 BPM | ||
Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 2 | 6A | 71 BPM |
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