Richard Strauss, Amelia Piano Trio, Max Mandel's '2 Pieces for Piano Quartet, TrV 169: No. 2. Liebesliedchen' came out on April 27, 2010. 2 Pieces for Piano Quartet, TrV 169: No. 2. Liebesliedchen is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Strauss: Piano Trios Nos. 1 & 2". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, 2 Pieces for Piano Quartet, TrV 169: No. 2. Liebesliedchen's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 2 Pieces for Piano Quartet, TrV 169: No. 2. Liebesliedchen by Richard Strauss, Amelia Piano Trio, Max Mandel having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in C Minor, Op. 17, "Little Russian": II. Andantino marziale quasi moderato | Pyotr Ilyich Tchaikovsky, Polish National Radio Symphony Orchestra, Adrian Leaper | F Major | 3 | 7B | 137 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation V - Allegro moderato - Cadenza | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | D Major | 1 | 10B | 117 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe | E♭ Major | 1 | 5B | 101 BPM | ||
Preludio Sinfonico for Orchestra, Op.1 | Giacomo Puccini, London Symphony Orchestra, Antonio Pappano | A Major | 0 | 11B | 75 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 4: Liebst du um Schönheit | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | D♭ Major | 0 | 3B | 91 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": II. Elegy: Molto adagio (In Memoriam William Morris) | Gustav Holst, Ulster Orchestra, Joann Falletta | G Major | 1 | 9B | 133 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: V. The Three Blind Sisters | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | F Minor | 0 | 4A | 70 BPM |
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