"O mìo babbino caro from Gianni Schicchi" by Giacomo Puccini, Kathleen Battle was released on 1984. The duration of O mìo babbino caro from Gianni Schicchi is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. O mìo babbino caro from Gianni Schicchi's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 18 in Classic Kathleen Battle by Kathleen Battle. O mìo babbino caro from Gianni Schicchi is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O mìo babbino caro from Gianni Schicchi by Giacomo Puccini, Kathleen Battle is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | ||
Carmen, Act 2: Votre toast (Toreador's Song) | Georges Bizet, Kostas Paskalis/Eliane Lublin/Viorica Cortez/Grace Bumbry/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/Rafael Frühbeck de Burgos, Rafael Frühbeck de Burgos, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Minor | 0 | 6A | 124 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Scuoti quella fronda di ciliegio | Giacomo Puccini, Renata Scotto, Anna Di Stasio, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | E♭ Major | 1 | 5B | 87 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Pagliacci / Prologue: Prelude..."Si può? Signore! Signori!" | Ruggero Leoncavallo, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | G Major | 2 | 9B | 79 BPM | ||
Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
Lakmé: 'Flower Duet' | Léo Delibes, Carl Davis, Royal Liverpool Philharmonic Orchestra and Choir, Janice Watson, Ruby Philogene | B Major | 1 | 1B | 81 BPM | ||
Intermezzo From Cavalleria Rusticana | Pietro Mascagni, Royal Philharmonic Orchestra, Philip Ellis | F Major | 1 | 7B | 86 BPM |
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