"Intermezzo From Cavalleria Rusticana" by Pietro Mascagni, Royal Philharmonic Orchestra, Philip Ellis was released on August 3, 2007. The duration of Intermezzo From Cavalleria Rusticana is about 3 minutes long, at 3:19. Based on our data, "Intermezzo From Cavalleria Rusticana" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Royal Philharmonic Orchestra's "Last Night of the Proms" album is number 5 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Intermezzo From Cavalleria Rusticana is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Intermezzo From Cavalleria Rusticana by Pietro Mascagni, Royal Philharmonic Orchestra, Philip Ellis to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Song to the moon | Antonín Dvořák, Ophélie Gaillard, Tim Redmond, Royal Philharmonic Orchestra | B♭ Major | 2 | 6B | 79 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Gothenburg Symphony Orchestra, Neeme Järvi | F Major | 1 | 7B | 86 BPM | ||
Granada | Agustín Lara, Luciano Pavarotti, Royal Philharmonic Orchestra, Maurizio Benini | E♭ Major | 4 | 5B | 98 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, John Eliot Gardiner, David Blackadder, English Baroque Soloists | D♭ Minor | 0 | 12A | 103 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
La Berceuse, aus der Oper 'Jocelyn' | Benjamin Godard, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | F Major | 0 | 7B | 96 BPM | ||
Bells across the Meadows | Albert Ketèlbey, New Symphony Orchestra, Robert Sharples | E♭ Major | 2 | 5B | 59 BPM | ||
Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Luciano Pavarotti, Royal Philharmonic Orchestra, Leone Magiera | B Minor | 1 | 10A | 90 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Giacomo Aragall, Stefka Evstatieva, Anna di Mauro, Alžbeta Michálková, Eduard Tumagian, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | F Major | 0 | 7B | 82 BPM |
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