"Maxwell Davies: Leopardi Fragments, Cantata, Op. 18: "La speme che rinasce" (Soprano) -" by Peter Maxwell Davies, Melos Ensemble, John Carewe was released on February 21, 2011. With Maxwell Davies: Leopardi Fragments, Cantata, Op. 18: "La speme che rinasce" (Soprano) - being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Melos Ensemble's "Icon: Melos Ensemble" album is number 20 out of 151. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Maxwell Davies: Leopardi Fragments, Cantata, Op. 18: "La speme che rinasce" (Soprano) - is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Maxwell Davies: Leopardi Fragments, Cantata, Op. 18: "La speme che rinasce" (Soprano) - by Peter Maxwell Davies, Melos Ensemble, John Carewe to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Andreas Brantelid, Concerto Copenhagen, Lars Ulrik Mortensen | A♭ Major | 2 | 4B | 143 BPM | ||
Habanera | Emmanuel Chabrier, Janina Fialkowska | A Major | 5 | 11B | 100 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Yeol Eum Son, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 177 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | Antonio Vivaldi, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | A Major | 0 | 11B | 84 BPM | ||
Five Variants of ‘Dives and Lazarus’ | Ralph Vaughan Williams, Hallé, Sir Mark Elder | B Minor | 1 | 10A | 71 BPM | ||
Sonata for Solo Harp: I. Allegretto | Germaine Tailleferre, Valérie Milot | D♭ Major | 1 | 3B | 84 BPM | ||
Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz) | Claude Debussy, Joshua Bell | F♯ Minor | 0 | 11A | 86 BPM | ||
Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM | ||
Maxwell Davies / Arr Balsom & Poster: Farewell to Stromness | Peter Maxwell Davies, Alison Balsom | D Major | 0 | 10B | 74 BPM |
Section: 0.7007501125335693
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