"Sonata for Solo Harp: I. Allegretto" by Germaine Tailleferre, Valérie Milot was released on March 22, 2011. The duration of Sonata for Solo Harp: I. Allegretto is about 3 minutes long, at 3:16. Based on our data, "Sonata for Solo Harp: I. Allegretto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of V - Chamber Music for Harp by Valérie Milot. The song's track number on the album is #1 out of 12 tracks. Sonata for Solo Harp: I. Allegretto is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sonata for Solo Harp: I. Allegretto by Germaine Tailleferre, Valérie Milot has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sonata for Solo Harp: I. Allegretto being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM | ||
Le petit livre de harpe de Madame Tardieu: No. 11, Lent | Germaine Tailleferre, Alessandra Ziveri | F♯ Minor | 1 | 11A | 110 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Montero & Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | Gabriela Montero | E♭ Major | 0 | 5B | 67 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Cello Sonata in F Major, Op.6: II. Andante ma non troppo | Richard Strauss, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 171 BPM | ||
Fleurs de France: IV. Tournesol du Languedoc | Germaine Tailleferre, Quynh Nguyen | C Major | 2 | 8B | 171 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM |
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