"Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz)" by Claude Debussy, Joshua Bell was released on 1998. The duration of Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz) is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "The Essential Joshua Bell". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz) by Claude Debussy, Joshua Bell having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
The Four Seasons - Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Minor | 1 | 4A | 82 BPM | ||
Debussy: La plus que lente, L. 121 | Claude Debussy, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 133 BPM | ||
Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | ||
Suite d'orchestre dans le style ancien, Op. 2: II. Sarabande. Mesto | Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 116 BPM | ||
The Four Seasons - Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non moto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Minor | 1 | 4A | 82 BPM | ||
Gianni Schicchi: O mio babbino caro (Arr. C. Leon for Violin & Orchestra) | Giacomo Puccini, Joshua Bell, Michael Stern | D♭ Major | 2 | 3B | 121 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Les noces de Jeanette - opéra-comique: Air du rossignol | Victor Massé, Patrick Gallois, Richard Friedman, Fabrice Pierre, London Festival Orchestra, Ross Pople | A♭ Major | 0 | 4B | 126 BPM |
Section: 0.7343869209289551
End: 0.7373757362365723