- BPM
- 133
- Key
- G Major
- Camelot
- 9B
Debussy: La plus que lente, L. 121 - Claude Debussy, San Francisco Symphony, Michael Tilson Thomas Information
- Acousticness
- 88%
- Danceability
- 17%
- Energy
- 4%
- Instrumentalness
- 68%
- Liveness
- 19%
- Loudness
- 54%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 9%
- Loudness
- -27.323 dB
Summary
"Debussy: La plus que lente, L. 121" by Claude Debussy, San Francisco Symphony, Michael Tilson Thomas was released on October 28, 2016. Debussy: La plus que lente, L. 121 is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. The song is number 7 out of 7 in Debussy: Images, Jeux, & La plus que lente by Claude Debussy, San Francisco Symphony, Michael Tilson Thomas. Based on our statistics, Debussy: La plus que lente, L. 121's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Debussy: La plus que lente, L. 121 BPM
The tempo marking of Debussy: La plus que lente, L. 121 by Claude Debussy, San Francisco Symphony, Michael Tilson Thomas is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Debussy: La plus que lente, L. 121 Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Suite bergamasque, L. 75 (Arr. for Orchestra): II. Menuet | クロード・ドビュッシー, フランス国立リヨン管弦楽団, 準・メルクル | E Minor | 1 | 9A | 79 BPM | |
 | 5 Songs from the Norwegian: No. 5. Sunset (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | F♯ Major | 0 | 2B | 69 BPM | |
 | La Princesse lontaine - Prelude | Nikolai Tcherepnin, Russian National Orchestra, Mikhail Pletnev | A Major | 0 | 11B | 69 BPM | |
 | Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | C Major | 0 | 8B | 76 BPM | |
| Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | |
 | Arpeggione Sonata, D. 821: II. Adagio | Franz Schubert, Anne Gastinel, Claire Désert | E Major | 0 | 12B | 73 BPM | |
 | 5 Bagatelles for clarinet and piano, Op.23: 4. Forlana - Allegretto grazioso | Gerald Finzi, Emma Johnson, Malcolm Martineau | F♯ Major | 0 | 2B | 185 BPM | |
 | Symphony in D Minor: Symphony in D Minor: II. Allegretto | César Franck, Philippe Herreweghe, Orchestre des Champs-Élysées | F♯ Major | 0 | 2B | 90 BPM | |
 | Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | |
 | On hearing the first Cuckoo in Spring | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 80 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5825471878051758
End: 0.5905139446258545