Cantata, BWV 208: Schafe können sicher weiden
Johann Sebastian Bach, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra
Yo-Yo Ma Plays Bach
3:38 May 12, 2017
BPM
69
Key
A Major
Camelot
11B

Embed

Share Link

Cantata, BWV 208: Schafe können sicher weiden - Johann Sebastian Bach, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra Information

Acousticness
97%
Danceability
33%
Energy
4%
Instrumentalness
70%
Liveness
15%
Loudness
59%
Speechiness
5%
Valence
20%
Popularity
Loudness
-24.808 dB

Summary

Johann Sebastian Bach, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra's 'Cantata, BWV 208: Schafe können sicher weiden' came out on May 12, 2017. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Yo-Yo Ma Plays Bach by Johann Sebastian Bach, Yo-Yo Ma. The song's track number on the album is #16 out of 20 tracks. Cantata, BWV 208: Schafe können sicher weiden is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Cantata, BWV 208: Schafe können sicher weiden BPM

Since Cantata, BWV 208: Schafe können sicher weiden by Johann Sebastian Bach, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Cantata, BWV 208: Schafe können sicher weiden being at 69 BPM, the half-time would be 34 BPM with a double-time of 138 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Cantata, BWV 208: Schafe können sicher weiden Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
King Arthur, Z. 628, King Arthur, Z. 628, "The British Worthy": AirHenry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica HuggettD♭ Minor012A114 BPM
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: II. Adagio by Johann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw SzulcConcerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: II. AdagioJohann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw SzulcC Minor15A109 BPM
Florida Suite: By the River by Frederick Delius, English Northern Philharmonia, David Lloyd-JonesFlorida Suite: By the RiverFrederick Delius, English Northern Philharmonia, David Lloyd-JonesE♭ Major15B133 BPM
Capriol Suite: 5. Pied-en- l'air by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 5. Pied-en- l'airPeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerG Major19B113 BPM
Rusalka, Op. 114: Song to the Moon by Antonín Dvořák, Joshua Bell, Michael SternRusalka, Op. 114: Song to the MoonAntonín Dvořák, Joshua Bell, Michael SternF♯ Major12B137 BPM
Concerto For 4 Harpsichords, Strings, And Continuo In A Minor, BWV 1065: 1. (Allegro) by Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, David Collyer, Amsterdam Baroque OrchestraConcerto For 4 Harpsichords, Strings, And Continuo In A Minor, BWV 1065: 1. (Allegro)Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, David Collyer, Amsterdam Baroque OrchestraA♭ Minor51A98 BPM
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio by Wolfgang Amadeus Mozart, Sabine Meyer, Berliner PhilharmonikerMozart: Clarinet Concerto in A Major, K. 622: II. AdagioWolfgang Amadeus Mozart, Sabine Meyer, Berliner PhilharmonikerD Major010B95 BPM
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) by Tomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisOboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo)Tomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisA Minor18A79 BPM
Kol Nidrei - Adagio For Cello, Opus 47 by Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel BarenboimKol Nidrei - Adagio For Cello, Opus 47Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel BarenboimD Major110B81 BPM
Cello Sonata in D Minor, Op. 40: IV. Allegro by Dmitri Shostakovich, Emanuel Ax, Yo-Yo Ma & The Silk Road EnsembleCello Sonata in D Minor, Op. 40: IV. AllegroDmitri Shostakovich, Emanuel Ax, Yo-Yo Ma & The Silk Road EnsembleE♭ Major15B147 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8650877475738525

End: 0.8699615001678467