"Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: II. Adagio" by Johann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc was released on January 1, 2014. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 15 in Bach by Johann Sebastian Bach, Lisa Batiashvili, Carl Philipp Emanuel Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: II. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: II. Adagio by Johann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.1 in B flat Major: 1. Allegro | William Boyce, Academy of Ancient Music, Christopher Hogwood | A Major | 2 | 11B | 180 BPM | ||
6 Miniatures (Arr. T. Batiashvili for Violin & Orchestra): No. 3, Lale | Sulkhan Tsintsadze, Lisa Batiashvili, Ingolstadt Georgian Chamber Orchestra | D Minor | 2 | 7A | 150 BPM | ||
Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Ludwig van Beethoven, Lisa Batiashvili, Deutsche Kammerphilharmonie Bremen | D Major | 1 | 10B | 137 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Concerto for Violin and Orchestra in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo | Pyotr Ilyich Tchaikovsky, Lisa Batiashvili, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 76 BPM | ||
Coffee Cantata, BWV 211: Aria: Heute noch | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato | F♯ Major | 1 | 2B | 120 BPM | ||
Concerto grosso in D, Op.6, No.1: 2. Largo | Arcangelo Corelli, Alan Loveday, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 2 | 10A | 71 BPM | ||
Saint-Saëns: Oboe Sonata, Op. 166: III. Molto allegro | Camille Saint-Saëns, François Leleux, Emmanuel Strosser | D Major | 2 | 10B | 80 BPM | ||
English Suite No. 3 in G Minor, BWV 808: IV. Sarabande (arr. for violin and piano) | Jascha Heifetz, Johann Sebastian Bach, Vilmos Szabadi, Márta Gulyás | G Minor | 0 | 6A | 43 BPM | ||
Bozza: Fantaisie pastorale, Op. 37 | Eugène Bozza, François Leleux, Emmanuel Strosser | A Minor | 1 | 8A | 116 BPM |
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