"English Suite No. 3 in G Minor, BWV 808: IV. Sarabande (arr. for violin and piano)" by Jascha Heifetz, Johann Sebastian Bach, Vilmos Szabadi, Márta Gulyás was released on July 15, 2014. The duration of English Suite No. 3 in G Minor, BWV 808: IV. Sarabande (arr. for violin and piano) is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. English Suite No. 3 in G Minor, BWV 808: IV. Sarabande (arr. for violin and piano)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jascha Heifetz, Vilmos Szabadi's "Heifetz: Transcriptions, Vol. 1" album is number 1 out of 22. English Suite No. 3 in G Minor, BWV 808: IV. Sarabande (arr. for violin and piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of English Suite No. 3 in G Minor, BWV 808: IV. Sarabande (arr. for violin and piano) by Jascha Heifetz, Johann Sebastian Bach, Vilmos Szabadi, Márta Gulyás to be Grave (very slow) because the track has a tempo of 43 BPM, a half-time of 22BPM, and a double-time of 86 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Minuet in A major, D. 334 | Franz Schubert, Arcadi Volodos | A Major | 0 | 11B | 92 BPM | ||
Contemplation (After Brahms' Op. 105 No. 1) | Jascha Heifetz, Sueye Park, Love Derwinger | D♭ Major | 1 | 3B | 101 BPM | ||
Piano Trio No. 39: Piano Trio No. 39: II. Poco adagio | Franz Joseph Haydn, Trio Wanderer | E Major | 0 | 12B | 89 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Frédéric Lodéon, François-René Duchâble | E♭ Major | 2 | 5B | 76 BPM | ||
Nana (Bercuese) from Siete conciones populares Espanolas | Manuel de Falla, Joshua Bell, Michael Stern | A Major | 1 | 11B | 89 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) | Gabriel Fauré, Sheku Kanneh-Mason, Isata Kanneh-Mason | G Minor | 0 | 6A | 112 BPM | ||
Sonata No. 1 in G Minor, BWV 1001: IV. Presto | Johann Sebastian Bach, Andrej Kurti | D♭ Minor | 1 | 12A | 89 BPM | ||
Concerto for 2 Flutes in D Major (Ed. P. Gallois): II. Largo | Saverio Mercadante, Patrick Gallois, Kazunori Seo, Czech Philharmonic Chamber Orchestra | G Major | 1 | 9B | 171 BPM |
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