"Puccini: Madama Butterfly, Act 2: "Oh eh! Oh eh! Oh eh!" (Coro)" by Giacomo Puccini, Sir John Barbirolli, Coro Del Teatro Dell'Opera Di Roma, Orchestra Del Teatro Dell'Opera Di Roma was released on January 1, 1967. Since Puccini: Madama Butterfly, Act 2: "Oh eh! Oh eh! Oh eh!" (Coro) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 36 in the song's album "Puccini: Madama Butterfly". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Puccini: Madama Butterfly, Act 2: "Oh eh! Oh eh! Oh eh!" (Coro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Madama Butterfly, Act 2: "Oh eh! Oh eh! Oh eh!" (Coro) by Giacomo Puccini, Sir John Barbirolli, Coro Del Teatro Dell'Opera Di Roma, Orchestra Del Teatro Dell'Opera Di Roma having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Norma / Act 1: Oh! qual traspare orribile | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 134 BPM | ||
Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Prunier, Magda) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
L'elisir d'amore / Act 2: "Ai perigli della guerra...qua la mano giovinotto" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, English Chamber Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 87 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Dunque io son (Figaro/Rosina) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | G Major | 2 | 9B | 120 BPM | ||
La Rondine: Act II: Bevo al tuo fresco sorriso (Ruggero, Magda, Lisette, Prunier, Chorus) | Giacomo Puccini, Svetla Vassileva, Maya Dashuk, Fabio Sartori, Emanuele Giannino, Marzio Giossi, Fernando Luis Ciuffo, Giorgio Berrugi, Andrea Patucelli, Polina Volfson, Alessandra Meozzi, Annunziata Vestri, Puccini Festival Chorus, Puccini Festival Orchestra, Alberto Veronesi | E♭ Major | 6 | 5B | 84 BPM | ||
Rossini: Il barbiere di Siviglia, Act 2: Sestetto. "Fredda ed immobile" (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | D Major | 1 | 10B | 80 BPM | ||
Tosca, SC 69: Mario Cavaradossi? ... E lucevan le stelle | Giacomo Puccini, Jonathan Tetelman, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi | B Minor | 1 | 10A | 136 BPM | ||
L'elisir d'amore / Act 1: "Che vuol dire codesta suonata?" | Gaetano Donizetti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | A Major | 2 | 11B | 109 BPM | ||
Puccini: Madama Butterfly, Act 1: "Bimba dagli occhi pieni di malia" (Pinkerton, Butterfly) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Major | 2 | 11B | 87 BPM |
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