Puccini: Madama Butterfly, Act 1: "Bimba dagli occhi pieni di malia" (Pinkerton, Butterfly)
Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia
Puccini: Madama Butterfly
3:35 February 27, 2009
BPM
87
Key
A Major
Camelot
11B

Embed

Share Link

Puccini: Madama Butterfly, Act 1: "Bimba dagli occhi pieni di malia" (Pinkerton, Butterfly) - Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia Information

Acousticness
97%
Danceability
25%
Energy
21%
Instrumentalness
0%
Liveness
9%
Loudness
73%
Speechiness
4%
Valence
9%
Popularity
Loudness
-15.965 dB

Summary

"Puccini: Madama Butterfly, Act 1: "Bimba dagli occhi pieni di malia" (Pinkerton, Butterfly)" by Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia was released on February 27, 2009. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 46 in the song's album "Puccini: Madama Butterfly". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Puccini: Madama Butterfly, Act 1: "Bimba dagli occhi pieni di malia" (Pinkerton, Butterfly) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Puccini: Madama Butterfly, Act 1: "Bimba dagli occhi pieni di malia" (Pinkerton, Butterfly) BPM

With Puccini: Madama Butterfly, Act 1: "Bimba dagli occhi pieni di malia" (Pinkerton, Butterfly) by Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Puccini: Madama Butterfly, Act 1: "Bimba dagli occhi pieni di malia" (Pinkerton, Butterfly) Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
La Gioconda / Act II: La Gioconda / Act II: "Cielo e mar"Amilcare Ponchielli, Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele CallegariE♭ Major25B80 BPM
La Wally / Act 1: La Wally / Act 1: "Ebben? Ne andrò lontana"Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias RingborgE Major212B90 BPM
Les pêcheurs de perles / Act 2: Au fond du temple saint by Georges Bizet, Ramón Vargas, Ludovic Tezier, SWR Symphony Orchestra, Marco ArmiliatoLes pêcheurs de perles / Act 2: Au fond du temple saintGeorges Bizet, Ramón Vargas, Ludovic Tezier, SWR Symphony Orchestra, Marco ArmiliatoE♭ Major45B169 BPM
Symphony No. 5 in C Sharp Minor: IV. Adagietto (conclusion) by New Philharmonia Orchestra, Sir John BarbirolliSymphony No. 5 in C Sharp Minor: IV. Adagietto (conclusion)New Philharmonia Orchestra, Sir John BarbirolliF Major17B114 BPM
La Bohème / Act 1: La Bohème / Act 1: "Questo Mar Rosso"Giacomo Puccini, Rolando Panerai, Luciano Pavarotti, Nicolai Ghiaurov, Berliner Philharmoniker, Herbert von KarajanF Major37B98 BPM
Madame Butterfly - Grosser Querschnitt: Du, du, du by Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper BerlinMadame Butterfly - Grosser Querschnitt: Du, du, duAlfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper BerlinC Major18B82 BPM
Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] by Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo GendaZigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German]Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo GendaB♭ Major16B111 BPM
Così fan tutte, Act 1, Scene 2: No. 10 Terzettino: Soave sia il vento (Dorabella/Don Alfonso/Fiordiligi) by Wiener Philharmoniker, Riccardo Muti, Margaret Marshall, José van Dam, Agnes BaltsaCosì fan tutte, Act 1, Scene 2: No. 10 Terzettino: Soave sia il vento (Dorabella/Don Alfonso/Fiordiligi)Wiener Philharmoniker, Riccardo Muti, Margaret Marshall, José van Dam, Agnes BaltsaE Major112B124 BPM
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part Two: Aria: Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part Two: Aria: "Lasci la spina" (Piacere)George Frideric Handel, Emmanuelle Haïm, Le Concert d'AstréeE Major012B94 BPM
Contes d'Hoffmann: Les oiseaux dans la charnille by Jacques Offenbach, Olga Peretyatko, Miguel Gomez-MartinezContes d'Hoffmann: Les oiseaux dans la charnilleJacques Offenbach, Olga Peretyatko, Miguel Gomez-MartinezB♭ Major26B96 BPM
ISRC
GBAYC0802910
Label
L-M Records/RCA Records

Section: 0.7903170585632324

End: 0.7948269844055176