Rossini: Il barbiere di Siviglia, Act 2: Sestetto. "Fredda ed immobile" (Rosina, Conte, Bartolo, Figaro, Basilio, Berta)
Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri
Rossini: Il Barbiere di Siviglia
3:20 1996
BPM
80
Key
D Major
Camelot
10B

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Rossini: Il barbiere di Siviglia, Act 2: Sestetto. "Fredda ed immobile" (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) - Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri Information

Acousticness
98%
Danceability
44%
Energy
11%
Instrumentalness
0%
Liveness
27%
Loudness
58%
Speechiness
32%
Valence
32%
Popularity
Loudness
-25.368 dB

Summary

Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri's 'Rossini: Il barbiere di Siviglia, Act 2: Sestetto. "Fredda ed immobile" (Rosina, Conte, Bartolo, Figaro, Basilio, Berta)' came out on 1996. The duration of Rossini: Il barbiere di Siviglia, Act 2: Sestetto. "Fredda ed immobile" (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) is about 3 minutes long, at 3:20. Based on our data, "Rossini: Il barbiere di Siviglia, Act 2: Sestetto. "Fredda ed immobile" (Rosina, Conte, Bartolo, Figaro, Basilio, Berta)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 46 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Rossini: Il barbiere di Siviglia, Act 2: Sestetto. "Fredda ed immobile" (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Rossini: Il barbiere di Siviglia, Act 2: Sestetto. "Fredda ed immobile" (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) BPM

With Rossini: Il barbiere di Siviglia, Act 2: Sestetto. "Fredda ed immobile" (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) by Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Rossini: Il barbiere di Siviglia, Act 2: Sestetto. "Fredda ed immobile" (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

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ISRC
GBAYC9601627
Label
L-M Records/RCA Records

Section: 0.8124566078186035

End: 0.8316214084625244