"Romance in F Major, Op. 36, R. 195" by Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra was released on January 1, 1998. The duration of Romance in F Major, Op. 36, R. 195 is about 3 minutes long, at 3:20. Based on our data, "Romance in F Major, Op. 36, R. 195" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Saint-Saëns: Cello Concerto No.1; Cello Sonata No.1; Suite, Op. 16; Le Cygne From Le Carnival Des Animaux; Allegro Apassionato, Op. 43; Romance In F Major, Op. 36". In this album, this song's track order is #6. Romance in F Major, Op. 36, R. 195 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romance in F Major, Op. 36, R. 195 by Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance (Arr. for Cello and Piano by Steven Isserlis) | Alexander Scriabin, Mischa Maisky, Lily Maisky | A Minor | 1 | 8A | 84 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Jacqueline du Pré, Daniel Barenboim | B♭ Minor | 2 | 3A | 94 BPM | ||
Concerto for Violin & Orchestra, Op. 14: III. Presto in moto perpetuo | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 5 | 8A | 97 BPM | ||
Les Erinnyes - Arr. by Mischa Maisky: Elégie | Jules Massenet, Mischa Maisky, Pavel Gililov | G Minor | 0 | 6A | 179 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | ||
Requiem (arr. for 3 cellos and piano) | Anonymous , David Popper, Coenraad Bloemendal, Andrés Díaz, Andrew Mark, Valerie Tryon | D Major | 0 | 10B | 94 BPM | ||
Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
Suite for Solo Cello No. 1 in G Major, BWV 1007: VI. Gigue | Johann Sebastian Bach, Mischa Maisky | D Major | 1 | 10B | 108 BPM | ||
Saint-Saëns: 6 Études, Op. 111: No. 4, Les cloches de Las Palmas | Camille Saint-Saëns, Bertrand Chamayou | D♭ Minor | 1 | 12A | 133 BPM |
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