Johann Sebastian Bach, Mischa Maisky made "Suite for Solo Cello No. 1 in G Major, BWV 1007: VI. Gigue" available on January 1, 1985. With Suite for Solo Cello No. 1 in G Major, BWV 1007: VI. Gigue being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 36 in Bach, J.S.: 6 Suites for Solo Cello by Johann Sebastian Bach, Mischa Maisky. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Suite for Solo Cello No. 1 in G Major, BWV 1007: VI. Gigue is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Suite for Solo Cello No. 1 in G Major, BWV 1007: VI. Gigue by Johann Sebastian Bach, Mischa Maisky is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Duport : Duo for 2 cellos in G major, Op.1/3 : Adagio-Presto | Jean-Louis Duport, Frédéric Lodéon, Xavier Gagnepain | G Major | 1 | 9B | 87 BPM | ||
Keyboard Suite No. 2 (Set I) in F Major, HWV 427: I. Adagio | George Frideric Handel, Philip Edward Fisher | D Minor | 0 | 7A | 72 BPM | ||
Violin Concerto In C Minor, Op. 11, No. 5, RV 202: III. Allegro Non Molto | L'Arte dell' Arco, Federico Guglielmo, Giovanni Guglielmo, Antonio Vivaldi | C Minor | 2 | 5A | 103 BPM | ||
Debussy: Cello Sonata in D Minor, CD 144, L. 135: III. Final. Animé, léger et nerveux | Claude Debussy, Yvan Chiffoleau, Jean Hubeau | F♯ Major | 0 | 2B | 113 BPM | ||
Vivaldi: Concerto for Two Cellos in G Minor, RV 531: II. Largo | Antonio Vivaldi, Il Giardino Armonico, Christophe Coin, Paolo Beschi, Giovanni Antonini | G Minor | 0 | 6A | 83 BPM | ||
Elfentanz, Op. 39 - Dance of the Elves | David Popper, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov | G Major | 4 | 9B | 96 BPM | ||
Suite for Solo Cello No. 1 in G Major, BWV 1007: VI. Gigue | Johann Sebastian Bach, Mischa Maisky | D Major | 1 | 10B | 108 BPM | ||
Concerto In D Major For 2 Violins, Strings & Continuo, RV 511: 3. Allegro | Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | D Major | 2 | 10B | 139 BPM | ||
Bach, JS: Concerto for 3 Keyboards in D Minor, BWV 1063: II. Alla siciliana | Johann Sebastian Bach, Michel Dalberto, Anne Queffélec, Pascal Devoyon, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D♭ Major | 1 | 3B | 121 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM |
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