Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn made "Concerto for Violin & Orchestra, Op. 14: III. Presto in moto perpetuo" available on July 4, 2020. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 61 out of 68 in Barber: An Introduction by Samuel Barber. In terms of popularity, Concerto for Violin & Orchestra, Op. 14: III. Presto in moto perpetuo is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Concerto for Violin & Orchestra, Op. 14: III. Presto in moto perpetuo by Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in E-Flat Major, S. 124: 1. Allegro maestoso | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A♭ Minor | 1 | 1A | 120 BPM | ||
Sinfonia da Requiem, Op. 20: III. Requiem aeternam. Andante molto tranquillo | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | G Major | 0 | 9B | 136 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | ||
Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 2. Vivace non troppo | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | F Major | 3 | 7B | 132 BPM | ||
Concerto for Violin & Orchestra, Op. 14: I. Allegro | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 2 | 9B | 92 BPM | ||
Symphony No. 5 in D Minor, Op. 107, MWV N 15 "Reformation": III. Andante | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | G Minor | 0 | 6A | 67 BPM | ||
Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -"Moonlight": 2. Allegretto | Ludwig van Beethoven, Daniel Barenboim | D♭ Major | 0 | 3B | 68 BPM |
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