"Pintscher: Towards Osiris" by Mathias Pintscher, Berliner Philharmoniker, Sir Simon Rattle had its release date on 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Sir Simon Rattle, Berliner Philharmoniker, Rundfunkchor Berlin's "Holst: The Planets" album is number 10 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Pintscher: Towards Osiris is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pintscher: Towards Osiris by Mathias Pintscher, Berliner Philharmoniker, Sir Simon Rattle to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 (1987) Movement III | Philip Glass, Renaud Capuçon, Dennis Russell Davis, Bruckner Orchester Linz | D Minor | 3 | 7A | 90 BPM | ||
Overture Ruy Blas, Op. 95 | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | F Minor | 2 | 4A | 84 BPM | ||
Phantasy Quintet: I. Prelude | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Major | 0 | 7B | 86 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Phrygian Gates, Pt. 3 | John Adams | E♭ Major | 1 | 5B | 161 BPM | ||
Musica ricercata: No. 8, Vivace - Energico | György Ligeti, Pierre-Laurent Aimard | A Major | 3 | 11B | 100 BPM | ||
Enigma Variations: Variation V. R.P.A - Moderato | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | C Minor | 0 | 5A | 76 BPM | ||
Cello Concerto in C Minor, Op. 21: II. Adagio - | Kurt Atterberg, Truls Mørk, Symphony Orchestra Of Norrlands Opera, Kristjan Järvi | D♭ Major | 1 | 3B | 174 BPM | ||
Pines Of Rome, P. 141: 2. The Pines Near A Catacomb | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 79 BPM | ||
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 76 BPM |