Edward Elgar, Sir Colin Davis, London Symphony Orchestra's 'Enigma Variations: Variation V. R.P.A - Moderato' came out on June 5, 2007. The duration of Enigma Variations: Variation V. R.P.A - Moderato is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Enigma Variations: Variation V. R.P.A - Moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 16 in Elgar: Enigma Variations, Introduction & Allegro by Edward Elgar, London Symphony Orchestra, Sir Colin Davis. Enigma Variations: Variation V. R.P.A - Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Enigma Variations: Variation V. R.P.A - Moderato by Edward Elgar, Sir Colin Davis, London Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 20, Romeo's Variation | Sergei Prokofiev, André Previn, London Symphony Orchestra | B♭ Minor | 2 | 3A | 139 BPM | ||
Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 3. Adagio | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | A Major | 1 | 11B | 96 BPM | ||
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Games of the Rival Tribes | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | E♭ Major | 6 | 5B | 86 BPM | ||
Symphony No.2 In D, Op.73: 4. Allegro con spirito | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 102 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Appalachian Spring - 1945 Suite: 5. Allegro: Solo Dance of the Bride | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | F Major | 2 | 7B | 93 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": XII. B.G.N. (Basil G. Nevinson). Andante | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 117 BPM | ||
Symphony No. 4 in F Minor, Op. 36: II. Andantino in modo di canzona | Pyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony Orchestra | D♭ Major | 0 | 3B | 85 BPM |
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