"Dinorah: Ah! Mon remords te venge (Recorded 1914)" by Giacomo Meyerbeer, Pasquale Amato was released on January 1, 1999. With this song being about 5 minutes long, at 4:35, "Dinorah: Ah! Mon remords te venge (Recorded 1914)" by Giacomo Meyerbeer, Pasquale Amato is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Pasquale Amato (Recorded 1911 - 1914)". In this album, this song's track order is #11. Based on our statistics, Dinorah: Ah! Mon remords te venge (Recorded 1914)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dinorah: Ah! Mon remords te venge (Recorded 1914) by Giacomo Meyerbeer, Pasquale Amato having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Huguenots / Act 1: Trop de mérite aussi quelquefois importune | Giacomo Meyerbeer, Dominic Cossa, Huguette Tourangeau, Nicola Ghiuselev, Anastasios Vrenios, John Gibbs, John Wakefield, Glynne Thomas, Ambrosian Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | G Major | 3 | 9B | 89 BPM | ||
Symphony No. 104 in D Major, Hob.I:104, "London": III. Menuet - Trio | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | D Major | 1 | 10B | 136 BPM | ||
Masques et Bergamasques, suite, Op.112: 2. Menuet | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 146 BPM | ||
Meyerbeer: L'Africaine, Act 4 Scene 2: No. 15, Recitativo ed Aria, "Mi batte il cor … O paradiso" (Vasco) | Giacomo Meyerbeer, Jussi Björling, Orchestra, Nils Grevillius, Unidentified Orchestra | D♭ Major | 2 | 3B | 129 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
Robert le Diable: Encore un de gagne | Giacomo Meyerbeer, Samuel Ramey/Chor des Bayerischen Rundfunks/Münchner Rundfunkorchester/Jacques Delacôte, Jacques Delacote, Muenchner Rundfunkorchester, Munich Radio Orchestra | D♭ Major | 2 | 3B | 174 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Major | 1 | 10B | 81 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM |
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