"Les Huguenots / Act 1: Trop de mérite aussi quelquefois importune" by Giacomo Meyerbeer, Dominic Cossa, Huguette Tourangeau, Nicola Ghiuselev, Anastasios Vrenios, John Gibbs, John Wakefield, Glynne Thomas, Ambrosian Opera Chorus, New Philharmonia Orchestra, Richard Bonynge was released on January 1, 1970. Les Huguenots / Act 1: Trop de mérite aussi quelquefois importune is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. The track order of this song in Giacomo Meyerbeer, Dame Joan Sutherland, Martina Arroyo, Huguette Tourangeau, Anastasios Vrenios, Nicola Ghiuselev, Gabriel Bacquier, New Philharmonia Orchestra, Richard Bonynge's "Meyerbeer: Les Huguenots" album is number 14 out of 47. Les Huguenots / Act 1: Trop de mérite aussi quelquefois importune is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Huguenots / Act 1: Trop de mérite aussi quelquefois importune by Giacomo Meyerbeer, Dominic Cossa, Huguette Tourangeau, Nicola Ghiuselev, Anastasios Vrenios, John Gibbs, John Wakefield, Glynne Thomas, Ambrosian Opera Chorus, New Philharmonia Orchestra, Richard Bonynge to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Robert le diable, Act 1: "Je n'ai pu fermer da paupière!" (Robert) | Giacomo Meyerbeer, Bryan Hymel, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren | A Minor | 2 | 8A | 143 BPM | ||
Andante e Rondo ungarese, Op. 35, J. 158 | Carl Maria von Weber, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp | C Major | 1 | 8B | 85 BPM | ||
Dolly, Op. 56: 5. Tendresse | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 3. Scherzo | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 0 | 2B | 95 BPM | ||
Four Songs, Op.2: 2. The Nightingale and the Rose | Nikolai Rimsky-Korsakov, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B Minor | 0 | 10A | 87 BPM | ||
Divertissement, Vorstellungen 1803: Introduzione | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
Piano Concerto No.23 In A, K.488: 3. Allegro assai | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 135 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Robert le diable, Act 3: "Si j'aurai ce courage?" (Robert, Bertram) | Giacomo Meyerbeer, Bryan Hymel, Alastair Miles, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren | D Major | 3 | 10B | 71 BPM |
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