"Meyerbeer: L'Africaine, Act 4 Scene 2: No. 15, Recitativo ed Aria, "Mi batte il cor … O paradiso" (Vasco)" by Giacomo Meyerbeer, Jussi Björling, Orchestra, Nils Grevillius, Unidentified Orchestra was released on February 15, 2003. The duration of Meyerbeer: L'Africaine, Act 4 Scene 2: No. 15, Recitativo ed Aria, "Mi batte il cor … O paradiso" (Vasco) is about 3 minutes long, at 3:19. Based on our data, "Meyerbeer: L'Africaine, Act 4 Scene 2: No. 15, Recitativo ed Aria, "Mi batte il cor … O paradiso" (Vasco)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 44 in the song's album "The Very Best of Jussi Björling". In this album, this song's track order is #1. Based on our statistics, Meyerbeer: L'Africaine, Act 4 Scene 2: No. 15, Recitativo ed Aria, "Mi batte il cor … O paradiso" (Vasco)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Meyerbeer: L'Africaine, Act 4 Scene 2: No. 15, Recitativo ed Aria, "Mi batte il cor … O paradiso" (Vasco) by Giacomo Meyerbeer, Jussi Björling, Orchestra, Nils Grevillius, Unidentified Orchestra having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Fischer und das Milchmädchen: Overture | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Robert le diable, Act 4: "Noble et belle Isabelle…Douce ivresse la tandresse" (Chorus) | Giacomo Meyerbeer, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren | G Major | 1 | 9B | 148 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Konzertstück for 4 Horns and Orchestra in F Major, Op. 86: 4本のホルンと管弦楽のためのコンツェルトシュトゥック ヘ長調作品86 第1楽章 | Robert Schumann, Paavo Järvi, Deutsche Kammerphilharmonie Bremen | F Major | 0 | 7B | 70 BPM | ||
Lestocq, S. 24: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Minor | 1 | 6A | 113 BPM | ||
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Overture (Die Zauberharfe, D.644) | Franz Schubert, Gewandhausorchester, Kurt Masur | G Major | 0 | 9B | 85 BPM | ||
Horn Concerto No. 2 in E Flat Major, TrV. 283: Allegro | Richard Strauss, Ronald Janezic, Wiener Philharmoniker, André Previn | C Major | 1 | 8B | 77 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 1 | 10B | 60 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 4. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D♭ Major | 1 | 3B | 173 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM |
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