Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi's 'Lestocq, S. 24: Act III Entr'acte' came out on July 10, 2020. With Lestocq, S. 24: Act III Entr'acte being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 15 in Auber: Overtures, Vol. 2 by Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi. In terms of popularity, Lestocq, S. 24: Act III Entr'acte is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lestocq, S. 24: Act III Entr'acte by Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 37 B Minor, Op. 33 No. 1 Hob. III:37: I. Allegro Moderato - Arr. For saxophone quartet by SIGNUM saxophone Quartet | Joseph Haydn, Signum Saxophone Quartet | F Major | 5 | 7B | 141 BPM | ||
Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavottes I & II (1) - Remastered 2024 | Johann Sebastian Bach, Hermann Scherchen, Vienna State Opera Orchestra | C Major | 0 | 8B | 75 BPM | ||
Sinfonia concertante in E-Flat Major, W. C41: II. Larghetto | Johann Christian Bach, Andras Horn, Nandor Gotz, Jeno Kevehazi, Lehel Ronai, Aladar Tuske, Budapest Strings, Karoly Botvay | C Major | 1 | 8B | 135 BPM | ||
Symphony No. 62 in D Major, Hob. I:62: IV. Allegro | Joseph Haydn, Kammerorchester Basel, Giovanni Antonini | G Major | 3 | 9B | 78 BPM | ||
こうもり〜序曲 | Johann Strauss II, Czech Philharmonic Chamber Orchestra, Václav Neumann | E Minor | 0 | 9A | 83 BPM | ||
Le dieu et la bayadère, ou La courtisane amoureuse, AWV 19: Overture | Daniel Auber, Karlovy Vary Symphony Orchestra, Dario Salvi | F Major | 0 | 7B | 87 BPM | ||
Divertissement, Vorstellungen 1803: No. 4, Allegro | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
12 Contredanses, WoO 14: No. 10 in C Major | Ludwig van Beethoven, Helmut Koch, Kammerorchester Berlin | E♭ Major | 2 | 5B | 116 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Entr'acte | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Mazurek, Op. 49 | Antonín Dvořák, Leonardo Pierdomenico, Czech Philharmonic Chamber Orchestra, Markéta Čepická, Vahan Mardirossian | B Major | 1 | 1B | 185 BPM |
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