Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner's 'Masques et Bergamasques, suite, Op.112: 2. Menuet' came out on January 1, 1982. The duration of Masques et Bergamasques, suite, Op.112: 2. Menuet is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Masques et Bergamasques, suite, Op.112: 2. Menuet's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 10 in Fauré: Pelléas et Mélisande/Pavane/Fantasie, etc. by Gabriel Fauré, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Masques et Bergamasques, suite, Op.112: 2. Menuet's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Masques et Bergamasques, suite, Op.112: 2. Menuet by Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
Masques et bergamasques Suite, Op. 112: II. Menuet: Tempo di minuetto - Allegretto moderato | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F Major | 0 | 7B | 105 BPM | ||
El sombrero de tres picos, Pt. 2: IV. Danza final | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | C Major | 4 | 8B | 89 BPM | ||
Symphony No. 3 in D Major, D.200: II. Allegretto | Franz Schubert, Wiener Philharmoniker, Carlos Kleiber | G Major | 0 | 9B | 115 BPM | ||
12 Violin Concertos, Op. 9 "La cetra" / Concerto No. 5 in A Minor, RV 358: 1. Adagio - Presto | Antonio Vivaldi, Iona Brown, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 121 BPM | ||
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 2. Andante con moto | Felix Mendelssohn, Wiener Philharmoniker, John Eliot Gardiner | D Minor | 0 | 7A | 77 BPM | ||
Piano Quintet No. 2 in C Minor, Op. 115: III. Andante moderato | Gabriel Fauré, Cristina Ortiz, Fine Arts Quartet | G Major | 0 | 9B | 105 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
L'Arlésienne Suite No.1: Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM |
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