Franz Schubert, Wiener Philharmoniker, Carlos Kleiber made "Symphony No. 3 in D Major, D.200: II. Allegretto" available on January 1, 1979. The duration of Symphony No. 3 in D Major, D.200: II. Allegretto is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Symphony No. 3 in D Major, D.200: II. Allegretto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 6 in the song's album "Schubert: Symphonies Nos. 3 & 8 "Unfinished"". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Symphony No. 3 in D Major, D.200: II. Allegretto is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Symphony No. 3 in D Major, D.200: II. Allegretto by Franz Schubert, Wiener Philharmoniker, Carlos Kleiber having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Winterreise, D. 911: No. 24, Der Leiermann | Franz Schubert, Andrè Schuen, Daniel Heide | G Minor | 0 | 6A | 129 BPM | ||
Beethoven: Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | F Major | 0 | 7B | 120 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. Allegro | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Les Contes d'Hoffmann: Barcarolle | Jacques Offenbach, Valery Gergiev, Wiener Philharmoniker | D Major | 0 | 10B | 79 BPM | ||
Mazurka No.44 In G Op.67 No.1 | Frédéric Chopin, Vladimir Ashkenazy | G Major | 2 | 9B | 203 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 4. Langsam - Lebhaft - Schneller - Presto | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 74 BPM | ||
Keyboard Sonata in B-Flat Major, Kk. 529 (L. 327): Allegro | Domenico Scarlatti, Ivo Pogorelich | B♭ Major | 2 | 6B | 178 BPM | ||
Symphony No.5 In B Flat, D.485: 4. Allegro vivace | Franz Schubert, Wiener Philharmoniker, Karl Böhm | B♭ Major | 2 | 6B | 150 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": II. Andante con moto | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
Furioso Polka, Op. 260 | Johann Strauss II, Nikolaus Harnoncourt, Wiener Philharmoniker | B Major | 6 | 1B | 169 BPM |
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