On May 31, 2024, the song "Le Nozze di Iole ed Ercole, Parte Prima: IX. Aria (Iole) "Non sà mentir"" was released by Leonardo Leo, Christoph Hammer, Neue Hofkapelle München. The duration of Le Nozze di Iole ed Ercole, Parte Prima: IX. Aria (Iole) "Non sà mentir" is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Le Nozze di Iole ed Ercole, Parte Prima: IX. Aria (Iole) "Non sà mentir"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leonardo Leo, Christoph Hammer, Neue Hofkapelle München's "Leo: Le Nozze di Iole ed Ercole" album is number 9 out of 40. On top of that, Germany appears to be the country where this track was created. The popularity of Le Nozze di Iole ed Ercole, Parte Prima: IX. Aria (Iole) "Non sà mentir" is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Le Nozze di Iole ed Ercole, Parte Prima: IX. Aria (Iole) "Non sà mentir" by Leonardo Leo, Christoph Hammer, Neue Hofkapelle München to be Presto (very, very fast) because the track has a tempo of 182 BPM, a half-time of 91BPM, and a double-time of 364 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 10 in F Major: I. Preludio | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | G Major | 0 | 9B | 95 BPM | ||
Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 64 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F♯ Minor | 1 | 11A | 94 BPM | ||
Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
Symphony in D Major, J-C 16: II. Andante sempre piano | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B♭ Minor | 1 | 3A | 106 BPM | ||
Suite in A Minor: V. La Piemontoise | Louis Couperin, Laurence Cummings | A♭ Minor | 3 | 1A | 71 BPM | ||
Bassoon Concerto in C Major, FWV L:C2: I. Allegro | Johann Friedrich Fasch, Paolo Tognon, Capella Savaria, Pál Németh | F♯ Major | 2 | 2B | 103 BPM | ||
Symphony in G Major, Op. 3 No. 1, WolS G2: III. Minuet | Johann Stamitz, Musica Viva, Alexander Rudin | F♯ Major | 2 | 2B | 146 BPM | ||
Charpentier : Concert pour 4 parties de violes H545 : I Prelude | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | B Major | 2 | 1B | 171 BPM | ||
Concerto for Two Violas in G Major, TWV 52:G3: Concerto for Two Violas in G Major, TWV 52:G3: II. Gaÿ | Georg Philipp Telemann, Antoine Tamestit, Sabine Fehlandt, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 3 | 2B | 125 BPM |
Section: 0.599714994430542
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