Johann Friedrich Fasch, Paolo Tognon, Capella Savaria, Pál Németh made "Bassoon Concerto in C Major, FWV L:C2: I. Allegro" available on January 1, 1997. The duration of Bassoon Concerto in C Major, FWV L:C2: I. Allegro is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Bassoon Concerto in C Major, FWV L:C2: I. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 23 in Fasch / Graupner: Bassoon Concertos by Paolo Tognon, Pál Németh. In terms of popularity, Bassoon Concerto in C Major, FWV L:C2: I. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bassoon Concerto in C Major, FWV L:C2: I. Allegro by Johann Friedrich Fasch, Paolo Tognon, Capella Savaria, Pál Németh is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata Da Chiesa No. 4 in F Major, Op. 5: I. Adagio | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | E Major | 2 | 12B | 81 BPM | ||
Flute Concerto in G Major, QV 5:165: II. Arioso | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | D Minor | 0 | 7A | 72 BPM | ||
Symphony in A Major, J-C 62: IIIa. Presto assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 2 | 4B | 119 BPM | ||
Concerto for 2 Flutes in D Major, FWV L:D9: III. Allegro | Johann Friedrich Fasch, Jan De Winne, Sien Huybrechts, Il Gardellino | D♭ Major | 1 | 3B | 124 BPM | ||
Oboe Concerto in C, R.450: 1. Allegro molto | Antonio Vivaldi, Douglas Boyd, Howard Penny, Harold Lister, Chamber Orchestra of Europe | B Minor | 6 | 10A | 130 BPM | ||
Concerto a cinque No. 3, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 3 | 11B | 120 BPM | ||
Concerto 6 in A Major, Op. 7: I. Allegro ma non presto | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | F♯ Minor | 0 | 11A | 98 BPM | ||
Overture for Flute and Bassoon in G Major: IX. Menuet - Trio | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 0 | 2B | 84 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 2 | 5A | 135 BPM | ||
Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D: 4. Largo | Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, William Houghton, Celia Nicklin, Tess Miller, Graham Sheen, John Constable, Academy of St. Martin in the Fields, Iona Brown | B Minor | 0 | 10A | 89 BPM |
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