Johann Stamitz, Musica Viva, Alexander Rudin made "Symphony in G Major, Op. 3 No. 1, WolS G2: III. Minuet" available on July 12, 2019. The duration of Symphony in G Major, Op. 3 No. 1, WolS G2: III. Minuet is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Symphony in G Major, Op. 3 No. 1, WolS G2: III. Minuet's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Stamitz: Symphonies, Op. 3 Nos. 1 & 3-6". In this album, this song's track order is #3. Based on our statistics, Symphony in G Major, Op. 3 No. 1, WolS G2: III. Minuet's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Symphony in G Major, Op. 3 No. 1, WolS G2: III. Minuet by Johann Stamitz, Musica Viva, Alexander Rudin having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Recorder and Strings in A minor: I. Largo- Staccato e dolce | Domenico Sarro, Gudrun Heyens, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 0 | 1A | 74 BPM | ||
Concerto for Two Violas in G Major, TWV 52:G3: Concerto for Two Violas in G Major, TWV 52:G3: III. Largo | Georg Philipp Telemann, Antoine Tamestit, Sabine Fehlandt, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 1 | 2B | 202 BPM | ||
Trio in E Major, Op. 5, No. 3: III. Menuetto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | E Major | 0 | 12B | 157 BPM | ||
Galliard Heigh Ho Holiday | Anthony Holborne, The Royal Wind Music, Paul Leenhouts | A♭ Major | 1 | 4B | 143 BPM | ||
Variations on the Ukrainian Theme "Ehal kazak za Dunai" for Violin and Orchestra | Alexander Alyabyev, Musica Viva, Alexander Rudin | C Major | 0 | 8B | 72 BPM | ||
Symphony in A Major, Op. 3 No. 5, WolS A2: III. Presto | Johann Stamitz, Musica Viva, Alexander Rudin | A♭ Major | 2 | 4B | 86 BPM | ||
Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: IV. Adagio | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM | ||
Uns ist ein Kind geboren: I. Sonata | Johann Kuhnau, Camerata Lipsiensis, Gregor Meyer | A♭ Minor | 1 | 1A | 103 BPM | ||
Concerto XIV In La Maggiore, Per Due Oboi, Archi E Continuo: II. Allegro | Alessandro Marcello, Venice Baroque Orchestra | A♭ Major | 1 | 4B | 98 BPM |
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