"Delibes: Lakmé, Act 1: "Miss Rose, Miss Ellen, respectez les clôtures !" (Mrs Bentson, Ellen, Rose, Gérald, Frédéric)" by Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Agnes Disney, Charles Burles, Jean Christophe Benoit, Monique Linval, Orchestre du Theatre National de IOpera-Comique was released on April 4, 1971. The duration of Delibes: Lakmé, Act 1: "Miss Rose, Miss Ellen, respectez les clôtures !" (Mrs Bentson, Ellen, Rose, Gérald, Frédéric) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Delibes: Lakmé, Act 1: "Miss Rose, Miss Ellen, respectez les clôtures !" (Mrs Bentson, Ellen, Rose, Gérald, Frédéric)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 58 in Delibes: Lakmé by Léo Delibes, Mady Mesple, Charles Burles, Orchestre du Théâtre national de l'Opéra-Comique, Alain Lombard. Delibes: Lakmé, Act 1: "Miss Rose, Miss Ellen, respectez les clôtures !" (Mrs Bentson, Ellen, Rose, Gérald, Frédéric) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Delibes: Lakmé, Act 1: "Miss Rose, Miss Ellen, respectez les clôtures !" (Mrs Bentson, Ellen, Rose, Gérald, Frédéric) by Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Agnes Disney, Charles Burles, Jean Christophe Benoit, Monique Linval, Orchestre du Theatre National de IOpera-Comique is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peter and the Wolf, Op. 67 (narrated in Spanish): El lobo acecha al pajaro y al gato | Sergei Prokofiev, Antonio Banderas, Russian National Orchestra, Kent Nagano | C Major | 0 | 8B | 81 BPM | ||
Rusalka, Op. 114 / Act 1: I pekne vitam | Antonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
The Pirates of Penzance: When the foeman bares his steel | Arthur Sullivan, Valerie Masterson, Jean Allister, Owen Brannigan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | C Major | 2 | 8B | 121 BPM | ||
Candide / Act I: 12. Glitter And Be Gay | Leonard Bernstein, Richard Wilbur, June Anderson, London Symphony Orchestra | A♭ Major | 2 | 4B | 149 BPM | ||
26. From ev'ry kind of man Obedience I expect | Arthur Sullivan, Lyndsie Holland, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | C Major | 2 | 8B | 80 BPM | ||
Candide, Act II: No. 18, We Are Women | Leonard Bernstein, June Anderson, Christa Ludwig, London Symphony Orchestra | A Minor | 1 | 8A | 73 BPM | ||
La traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Thomas Hampson, Diane Pilcher, Luigi Roni, Wiener Philharmoniker, Carlo Rizzi | D♭ Minor | 1 | 12A | 87 BPM | ||
Prokofiev: Peter and the Wolf, Op. 67: No. 5 The Wolf | Sergei Prokofiev, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | ||
Peter and the Wolf, Op. 67 (narrated in Spanish): El lobo | Sergei Prokofiev, Antonio Banderas, Russian National Orchestra, Kent Nagano | D Minor | 0 | 7A | 84 BPM | ||
Romeo and Juliette, Act III: Que fais-tu | Charles Gounod, Marie-Ange Todorovitch/Orchestre du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM |
Section: 0.8095121383666992
End: 0.8148200511932373