Candide, Act II: No. 18, We Are Women
Leonard Bernstein, June Anderson, Christa Ludwig, London Symphony Orchestra
Bernstein: Candide
3:34 January 1, 1991
BPM
73
Key
A Minor
Camelot
8A

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Candide, Act II: No. 18, We Are Women - Leonard Bernstein, June Anderson, Christa Ludwig, London Symphony Orchestra Information

Acousticness
97%
Danceability
53%
Energy
14%
Instrumentalness
0%
Liveness
37%
Loudness
75%
Speechiness
14%
Valence
21%
Popularity
Loudness
-15.244 dB

Summary

Leonard Bernstein, June Anderson, Christa Ludwig, London Symphony Orchestra's 'Candide, Act II: No. 18, We Are Women' came out on January 1, 1991. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Candide, Act II: No. 18, We Are Women is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Candide, Act II: No. 18, We Are Women BPM

The tempo marking of Candide, Act II: No. 18, We Are Women by Leonard Bernstein, June Anderson, Christa Ludwig, London Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Candide, Act II: No. 18, We Are Women Key

This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

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ISRC
DEF058931824
Label
L-M Records/RCA Records

Section: 0.8420524597167969

End: 0.8454596996307373