Felix Mendelssohn, Leonard Bernstein, New York Philharmonic's 'Symphony No. 3 in A Minor, Op. 56 "Scottish" (Remastered): IV. Allegro vivacissimo' came out on November 10, 2017. Since Symphony No. 3 in A Minor, Op. 56 "Scottish" (Remastered): IV. Allegro vivacissimo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Martial Sound Orchestra, Felix Mendelssohn, Leonard Bernstein, New York Philharmonic's "Mendelssohn: Symphony No. 3 in A Minor, Op. 56 "Scottish" & Die Hebriden Overture, Op. 26 (Remastered)" album is number 4 out of 5. Based on our statistics, Symphony No. 3 in A Minor, Op. 56 "Scottish" (Remastered): IV. Allegro vivacissimo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 3 in A Minor, Op. 56 "Scottish" (Remastered): IV. Allegro vivacissimo by Felix Mendelssohn, Leonard Bernstein, New York Philharmonic to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
Mendelssohn: Symphony No. 4 in A Major, Op. 90, "Italian": IV. Saltarello (Presto) | Felix Mendelssohn, Christian Thielemann, Munich Philharmonic Orchestra | G Major | 2 | 9B | 74 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Mass: VIII. Epistle: "The Word of The Lord" - Live | Leonard Bernstein, Kevin Vortmann, Lyn Philistine, Devin Ilaw, Kent Overshown, Sarah Uriarte Berry, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast | E♭ Major | 1 | 5B | 167 BPM | ||
Reenah | Anonymous, Leonard Bernstein, Rochester Singers, Samuel Adler | D♭ Major | 1 | 3B | 109 BPM | ||
Chichester Psalms: II. Psalm 23, Psalm 2 vs. 1-4 | Leonard Bernstein, Jeremy Budd, Paul Charrier, Elizabeth Franklin-Kitchen, Thomas Kelly, Victoria Nayler, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | F♯ Minor | 0 | 11A | 70 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Symphony No. 2 in B-Flat Major, D.125: I. Largo — Allegro vivace | Franz Schubert, New York Philharmonic, Alan Gilbert | B♭ Major | 2 | 6B | 133 BPM | ||
The Firebird Suite (1919 Version): Infernal Dance of King Kashchei - Remastered | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Minor | 5 | 9A | 83 BPM |
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