Eine Alpensinfonie: V. Auf dem Gletscher - Gefahrvolle Augenblicke
Richard Strauss, Bernard Haitink, London Symphony Orchestra
Strauss: Eine Alpensinfonie (An Alpine Symphony)
2:42 February 9, 2010
BPM
83
Key
F♯ Minor
Camelot
11A

Embed

Share Link

Eine Alpensinfonie: V. Auf dem Gletscher - Gefahrvolle Augenblicke - Richard Strauss, Bernard Haitink, London Symphony Orchestra Information

Acousticness
87%
Danceability
12%
Energy
1%
Instrumentalness
86%
Liveness
10%
Loudness
48%
Speechiness
6%
Valence
3%
Popularity
Loudness
-30.994 dB

Summary

"Eine Alpensinfonie: V. Auf dem Gletscher - Gefahrvolle Augenblicke" by Richard Strauss, Bernard Haitink, London Symphony Orchestra was released on February 9, 2010. The duration of Eine Alpensinfonie: V. Auf dem Gletscher - Gefahrvolle Augenblicke is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Eine Alpensinfonie: V. Auf dem Gletscher - Gefahrvolle Augenblicke's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Strauss: Eine Alpensinfonie (An Alpine Symphony)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Eine Alpensinfonie: V. Auf dem Gletscher - Gefahrvolle Augenblicke is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Eine Alpensinfonie: V. Auf dem Gletscher - Gefahrvolle Augenblicke BPM

With Eine Alpensinfonie: V. Auf dem Gletscher - Gefahrvolle Augenblicke by Richard Strauss, Bernard Haitink, London Symphony Orchestra having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Eine Alpensinfonie: V. Auf dem Gletscher - Gefahrvolle Augenblicke Key

This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto for Orchestra, Sz. 116: II. Giuoco della coppie (Allegretto scherzando) by Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezConcerto for Orchestra, Sz. 116: II. Giuoco della coppie (Allegretto scherzando)Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezG Major19B124 BPM
Jeux d'enfants, Op. 22: I. March by Georges Bizet, Barry Wordsworth, London Symphony OrchestraJeux d'enfants, Op. 22: I. MarchGeorges Bizet, Barry Wordsworth, London Symphony OrchestraC Major18B132 BPM
Symphony No. 4 in E-Flat Major, WAB 104 Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": III. Scherzo. Bewegt - Trio: Nicht zu schnell. Keinesfalls schleppendAnton Bruckner, Bernard Haitink, London Symphony OrchestraE♭ Minor22A113 BPM
Piano Concerto No.4 in G minor, Op.40: 1. Allegro vivace (Alla breve) by Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André PrevinPiano Concerto No.4 in G minor, Op.40: 1. Allegro vivace (Alla breve)Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André PrevinE♭ Major15B67 BPM
Elektra: Xx. Orest! by Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried KöhlerElektra: Xx. Orest!Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried KöhlerA♭ Major24B106 BPM
Symphony No. 6 in A Major, WAB 106: IV. Finale. Bewegt, doch nicht zu schnell by Anton Bruckner, Bavarian Radio Symphony Orchestra, Bernard HaitinkSymphony No. 6 in A Major, WAB 106: IV. Finale. Bewegt, doch nicht zu schnellAnton Bruckner, Bavarian Radio Symphony Orchestra, Bernard HaitinkF Major17B127 BPM
Histoire du soldat Suite (The Soldier's Tale Suite): IV. The Royal March, Histoire du soldat Suite (The Soldier's Tale Suite): IV. The Royal March, "Pasadoble"Igor Stravinsky, Rolf Schulte, William Blount, Christopher Gekker, Michael Powell, Frank Morelli, John Feeney, Gordon Gottlieb, Robert CraftF Major37B121 BPM
Requiem: XIV. Agnus Dei by Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony OrchestraRequiem: XIV. Agnus DeiGiuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony OrchestraC Major08B173 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'AlcalaGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezF Minor04A60 BPM
Enigma Variations: Variation XIV. E.D.U - Allegro by Edward Elgar, Sir Colin Davis, London Symphony OrchestraEnigma Variations: Variation XIV. E.D.U - AllegroEdward Elgar, Sir Colin Davis, London Symphony OrchestraG Major29B88 BPM
ISRC
GBDGQ0818927
Label
L-M Records/RCA Records

Section: 0.7065858840942383

End: 0.7125241756439209