"Candide / Act I: 2. Life Is Happiness Indeed" by Leonard Bernstein, June Anderson, Della Jones, Jerry Hadley, Kurt Ollmann, London Symphony Orchestra was released on January 1, 1991. The duration of Candide / Act I: 2. Life Is Happiness Indeed is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Candide / Act I: 2. Life Is Happiness Indeed's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Based on our statistics, Candide / Act I: 2. Life Is Happiness Indeed's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Candide / Act I: 2. Life Is Happiness Indeed by Leonard Bernstein, June Anderson, Della Jones, Jerry Hadley, Kurt Ollmann, London Symphony Orchestra is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anna Bolena / Act 2: "Tu pur dannato a morte" | Gaetano Donizetti, Jerry Hadley, Giorgio Surjan, Ernesto Gavazzi, Welsh National Opera Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 167 BPM | ||
Albert Herring, Op. 39: Act I Scene 1: Florence! | Benjamin Britten, Josephine Barstow, Susan Gritton, Della Jones, Felicity Palmer, Ann Taylor, Robert Lloyd, Peter Savidge, Gerald Finley, Christopher Gillett, Stuart Kale, Royal Northern Sinfonia, Steuart Bedford | A Major | 4 | 11B | 77 BPM | ||
Hamlet - Acte I - 1er Tableau : Elseneur, Une Salle Du Palais - Récitatif Et Duo : Doute De La Lumière (Hamlet, Ophélie) | Thomas Hampson, London Philharmonic Orchestra, June Anderson, Antonia De Almeida | B♭ Major | 1 | 6B | 168 BPM | ||
Stabat Mater, P. 77: 9. Sancta Mater, istud agas | Giovanni Battista Pergolesi, June Anderson, Cecilia Bartoli, Sinfonietta de Montréal, Charles Dutoit | C Minor | 1 | 5A | 82 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Major | 1 | 8B | 190 BPM | ||
Stabat Mater, P. 77: 12. Quando corpus morietur | Giovanni Battista Pergolesi, June Anderson, Cecilia Bartoli, Sinfonietta de Montréal, Charles Dutoit | C Minor | 1 | 5A | 82 BPM | ||
Serenade (From The Student Prince) | Jerry Hadley, Members of the Harvard Glee Club | E♭ Major | 3 | 5B | 171 BPM | ||
Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | E♭ Major | 0 | 5B | 135 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) - Live | Richard Wagner, Hildegard Behrens, Bavarian Radio Symphony Orchestra, Leonard Bernstein | B Major | 1 | 1B | 89 BPM | ||
Rigoletto / Act 2: "Cortigiani, vil razza dannata...Ebben piango" | Giuseppe Verdi, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 85 BPM |
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