Gaetano Donizetti, Jerry Hadley, Giorgio Surjan, Ernesto Gavazzi, Welsh National Opera Orchestra, Richard Bonynge's 'Anna Bolena / Act 2: "Tu pur dannato a morte"' came out on May 18, 1988. The duration of Anna Bolena / Act 2: "Tu pur dannato a morte" is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Anna Bolena / Act 2: "Tu pur dannato a morte"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 38 out of 46 in Donizetti: Anna Bolena by Gaetano Donizetti, Richard Bonynge, Dame Joan Sutherland, Jerry Hadley, Samuel Ramey, Susanne Mentzer, Giorgio Surjan, Bernadette Manca Di Nissa, Ernesto Gavazzi, Chorus of the Welsh National Opera, Welsh National Opera Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Anna Bolena / Act 2: "Tu pur dannato a morte" is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Anna Bolena / Act 2: "Tu pur dannato a morte" by Gaetano Donizetti, Jerry Hadley, Giorgio Surjan, Ernesto Gavazzi, Welsh National Opera Orchestra, Richard Bonynge is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 92 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
Poliuto (1997 Digital Remaster), ATTO PRIMO, Scena prima: In fiamma quest'alma (Poliuto/Nearco/Christiani) | Gaetano Donizetti, Salvatore Cammarano, Franco Corelli, Piero de Palma, Virgilio Carbonari, Giuseppe Morresi, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | E Major | 5 | 12B | 105 BPM | ||
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Canzonetta spagnuola | Gioachino Rossini, Giuseppina Bridelli, Alessandro Marangoni | D Major | 4 | 10B | 103 BPM | ||
Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | A♭ Major | 1 | 4B | 136 BPM | ||
Donizetti: La fille du régiment, Act I: "Ah! Mes amis, quel jour de fête!" - "Pour mon âme" (Tonio, Chorus) | Gaetano Donizetti, Michael Spyres, Choeur de l'Opéra national du Rhin, Marko Letonja, Orchestre Philharmonique De Strasbourg | E♭ Major | 0 | 5B | 81 BPM |
Section: 0.6984891891479492
End: 0.7035198211669922