- BPM
- 149
- Key
- A♭ Major
- Camelot
- 4B
Candide / Act I: 12. Glitter And Be Gay - Leonard Bernstein, Richard Wilbur, June Anderson, London Symphony Orchestra Information
- Acousticness
- 92%
- Danceability
- 35%
- Energy
- 22%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 76%
- Speechiness
- 7%
- Valence
- 8%
- Popularity
- 12%
- Loudness
- -14.113 dB
Summary
"Candide / Act I: 12. Glitter And Be Gay" by Leonard Bernstein, Richard Wilbur, June Anderson, London Symphony Orchestra was released on January 1, 1991. Since Candide / Act I: 12. Glitter And Be Gay is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Based on our statistics, Candide / Act I: 12. Glitter And Be Gay's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Candide / Act I: 12. Glitter And Be Gay BPM
The tempo marking of Candide / Act I: 12. Glitter And Be Gay by Leonard Bernstein, Richard Wilbur, June Anderson, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
Candide / Act I: 12. Glitter And Be Gay Key
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 4, Morning Dance | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 3 | 7B | 83 BPM | |
 | Pictures at an Exhibition: II. Il vecchio castello | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 86 BPM | |
 | Symphonie Fantastique, Op. 14: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Valery Gergiev | G Minor | 1 | 6A | 76 BPM | |
 | Maurerische Trauermusik, K.477 | Wolfgang Amadeus Mozart, London Symphony Orchestra, István Kertész | E Major | 1 | 12B | 151 BPM | |
 | Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | B♭ Major | 1 | 6B | 119 BPM | |
 | Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | |
 | Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM | |
 | A Quiet Place, Act II: June Twelfth - Live | Leonard Bernstein, Beverly Morgan, Peter Kazaras, Chester Ludgin, John Brandstetter, Vienna Radio Symphony Orchestra | G Major | 1 | 9B | 136 BPM | |
 | Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7468001842498779
End: 0.7497563362121582