"Pictures at an Exhibition: II. Il vecchio castello" by Modest Mussorgsky, Leonard Bernstein, New York Philharmonic was released on 1962. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Modest Mussorgsky, Leonard Bernstein's "Mussorgsky: Pictures at an Exhibition & Night on Bald Mountain" album is number 4 out of 16. Pictures at an Exhibition: II. Il vecchio castello is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures at an Exhibition: II. Il vecchio castello by Modest Mussorgsky, Leonard Bernstein, New York Philharmonic to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in F Minor, Op. 10: II. Allegro - Meno mosso - Live | Dmitri Shostakovich, Chicago Symphony Orchestra, Leonard Bernstein | A Minor | 0 | 8A | 85 BPM | ||
Gayane Suite No. 3: V. Solo - Love Duet | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 3 | 10B | 175 BPM | ||
Peter and the Wolf, Op. 67: Poco più andante | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 0 | 4B | 95 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 4, Variation de la glace | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Capriccio espagnol, Op. 34: IV. Scena e canto gitano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Carmen Suite No. 2: La Garde montante. Allegro (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D Minor | 3 | 7A | 118 BPM | ||
Also Sprach Zarathustra Op.30: Das Grablied (Grave-song) | Richard Strauss, London Philharmonic Orchestra, Klaus Tennstedt | G Major | 0 | 9B | 97 BPM | ||
Billy the Kid Suite: III. Mexican Dance and Finale | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 141 BPM |
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